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Alfred Stieglitz (1864–1946) and American Photography

Born in Hoboken, New Jersey, in 1864, and schooled as an engineer in Germany, Alfred Stieglitz returned to New York in 1890 determined to prove that photography was a medium as capable of artistic expression as painting or sculpture. As the editor of Camera Notes, the journal of the Camera Club of New York—an association of amateur photography enthusiasts—Stieglitz espoused his belief in the aesthetic potential of the medium and published work by photographers who shared his conviction. When the rank-and-file membership of the Camera Club began to agitate against his restrictive editorial policies, Stieglitz and several like-minded photographers broke away from the group in 1902 to form the Photo-Secession, which advocated an emphasis on the craftsmanship involved in photography. Most members of the group made extensive use of elaborate, labor-intensive techniques that underscored the role of the photographer's hand in making photographic prints, but Stieglitz favored a slightly different approach in his own work. Although he took great care in producing his prints, often making platinum prints—a process renowned for yielding images with a rich, subtly varied tonal scale—he achieved the desired affiliation with painting through compositional choices and the use of natural elements like rain, snow, and steam ( 58.577.11 ) to unify the components of a scene into a visually pl
Alfred Stieglitz (1864–1946) and American Photography | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtAlfred Stieglitz (1864–1946) and American Photography | Thematic Essay | Heilbrunn Timeline of Art History | The Metropo
alfred stieglitz (1864–1946) and american photography... the terminal, 1892 alfred stieglitz (american, 1864–1946) photogravure 4 3/4 x 6 5/16 in. (12.1 x 16 cm) gift of j. b. neumann, 1958 (58.577.11) ...
http://www.metmuseum.org/toah/hd/stgp/hd_stgp.htm [1573 words]
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Associated subjects: pablo picasso (+), edward steichen (+), paul strand (+), paul cezanne (+), henri matisse (+), charles sheeler (+), georgia o'keeffe (+), craftsmanship (+), photo-secession (+), cubist-collage technique (+), arthur dove (+), photographer (+), claude monet (+), pictorial photography (+), auguste rodin (+), marius de zayas (+), american, new york city, 1930s (+), dorothy norman (+), photographs (+), american, new york city, 1933 (+), photographer; editor; publisher (+), american, new york city, 1934 (+), american, new york city, 1946 (+), paris (+), 291 fifth avenue (+), documentary reportage (+), japanese ukiyo-e prints (+), pictorialism (+), hand camera (+), portraitist (+)
Alfred Stieglitz (1864–1946) and His Circle | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtAlfred Stieglitz (1864–1946) and His Circle | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Muse
alfred stieglitz (1864–1946) and his circle... standing female nude, 1910 pablo picasso (spanish, 1881–1973) charcoal on paper 19 x 12 3/8 in. (48.3 x 31.4 cm) alfred stieglitz collection, 1949 (49.70.34) © 2011 estate of pablo picasso / artists rights society (ars), new york ...
http://www.metmuseum.org/toah/hd/stgl/hd_stgl.htm [2264 words]
Marius de Zayas: John Marin and Alfred Stieglitz (49.70.183) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtMarius de Zayas: John Marin and Alfred Stieglitz (49.70.183) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Muse
john marin and alfred stieglitz , ca. 1912–13 marius de zayas (mexican, 1880–1961) charcoal on paper 24 3/4 x 18 5/8 in. (62.9 x 47.3 cm) alfred stieglitz collection, 1949 (49.70.183) born in mexico to an illustrious family of artists and writers (
http://www.metmuseum.org/toah/works-of-art/49.70.183 [361 words]
Alfred Stieglitz: The Steerage (33.43.419) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtAlfred Stieglitz: The Steerage (33.43.419) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art
the steerage , 1907 alfred stieglitz (american, 1864–1946) photogravure on vellum 12 11/16 x 10 3/16 in. (32.2 x 25.8 cm) alfred stieglitz collection, 1933 (33.43.419) as proprietor of the little galleries of the photo-
http://www.metmuseum.org/toah/works-of-art/33.43.419 [258 words]
National Gallery of Art, Alfred Stieglitz Spotting Portrait of Dorothy Norman (Getty Museum)National Gallery of Art, Alfred Stieglitz Spotting Portrait of Dorothy Norman (Getty Museum)
alfred stieglitz spotting portrait of dorothy norman bequest of dorothy s. norman dorothy norman american, new york city, 1930s gelatin silver print 2 3/4 x 3 7/8 in. 97.xm.78.21 alfred stieglitz leans over a photograph,
http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=113844 [179 words]
Edward Steichen: Alfred Stieglitz at 291 (33.43.29) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtEdward Steichen: Alfred Stieglitz at 291 (33.43.29) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art
alfred stieglitz at 291 , 1915 edward steichen (american, born luxembourg, 1879–1973) coated gum bichromate over platinum print 11 5/16 x 9 1/2 in. (28.8 x 24.2 cm) alfred stieglitz collection, 1933 (
http://www.metmuseum.org/toah/works-of-art/33.43.29 [155 words]
From the Back Window, 291 ¦ Alfred Stieglitz ¦ Highlights ¦ Photographs ¦ Collection Database ¦ Works of Art ¦ The Metropolitan Museum of Art, New YorkFrom the Back Window, 291 ¦ Alfred Stieglitz ¦ Highlights ¦ Photographs ¦ Collection Database ¦ Works of Art ¦ The Metro
from the back window, 291 date 1915 medium platinum print dimensions 25.1 x 20.2 cm (9 7/8 x 7 15/16 in.) credit line alfred stieglitz collection, 1949 accession number 49.55.35 classification photographs not on view description provenance signatures, inscriptions, and markings notes description at the turn of the century,
http://www.metmuseum.org/works_of_art/collection_database/all/from_the_back_window_291_alfred_stieglitz/objectview.aspx? [218 words]
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