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Antonello da Messina (ca. 1430–1479)
Antonello da Messina is, in a sense, the first truly European painter and his remarkably varied achievements raise issues crucial to our understanding of European art. No other Italian artist of the fifteenth century responded in such a direct fashion not only to the leading masters of Bruges and Brussels— Jan van Eyck (d. 1441) and Petrus Christus (d. 1475/76) in particular—but also to giants of French Provençal painting such as the Master of the Aix Annunciation and Enguerrand Quarton. Did Antonello personally encounter any of these artists, possibly in the course of undocumented trips north of the Alps, or did he only come into contact with their work during the time he spent in Naples, where Netherlandish painting was highly valued and where, between 1438 and 1442, Rene of Anjou briefly ruled as king of Naples and of Sicily? Whatever the case, Antonello's achievement as a painter of portraits and landscapes is inconceivable without these great masters, and it is one of the intriguing mysteries of Italian art that the person who best understood the work of his Northern contemporaries —both Netherlandish and Franco-Flemish—was born, trained, and apparently worked for most of his career in Sicily, that is, on the periphery of Europe. Obviously, much more than wine, olive oil, textiles, and other commodities was passing through the port of Messina, which in the mid-fi
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netherlandish (
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seurat (
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portraits (
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palace facade (
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private devotional (
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virgin (
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petrus christus (
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gothic (
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genre scene (
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northern contemporaries (
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venice (
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responded (
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mona lisa (
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leonardo da vinci (
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milan (
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mannerism (
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european paintings (
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titian (
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el greco (
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parmigianino (
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fresco technique (
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trained in florence (
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drawings and prints (
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scientific (
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mother and her infant (
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fra angelico (
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andrea mantegna (
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jan van eyck (
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Designs for a Nativity or Adoration of the Christ Child; Perspectival Projection (recto); Slight Doodles (verso) ¦ Leona october 1918." in raccolta vinciana . 10 (1919), 1919, pp. 259-60. adolfo venturi leonardo da vinci pittore in istituto di studii vinciani in roma. 2, bologna, 1920, p. 89. bernard berenson "un possible antonello da messina ed uno impossibile" in dedalo . 4 (1923), 1923, pp. 21, 29. adolfo venturi storia dell'arte italiana vol. 9: la pittura del cinquecento. 9, parts 1-2, milan, 1901-1940, p. 120. http://www.metmuseum.org/works_of_art/collection_database/all/designs_for_a_nativity_or_adoration_of_the_christ_child_le [2472 words]
Painting in Oil in the Low Countries and Its Spread to Southern Europe | Thematic Essay | Heilbrunn Timeline of Art Hist 2 x 31.8 cm); (.627, maria) overall 17 3/8 x 13 3/8 in. (44.1 x 34 cm), painted surface 16 5/8 x 12 5/8 in. (42.2 x 32.1 cm) bequest of benjamin altman, 1913 (14.40.626–27) ... christ crowned with thorns antonello da messina (antonello di giovanni d'antonio) (italian, sicilian, born ca. 1430, died 1479) oil, perhaps over tempera, on wood 16 3/4 x 12 in. (42.5 x 30.5 cm) the friedsam collection, bequest of michael friedsam, 1931 (32.100.82) ... http://www.metmuseum.org/toah/hd/optg/hd_optg.htm [2334 words]
Leonardo da Vinci (1452–1519) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art portraiture in renaissance and baroque europe the rediscovery of classical antiquity renaissance drawings: material and function venetian color and florentine design ... other thematic essays (23)... antonello da messina (ca. 1430–1479) arms and armor in renaissance europe the crucifixion and passion of christ in italian painting the cult of the virgin mary in the middle ages drawing in the middle ages dutch and flemish artists in rome early netherlandish painting europe and the age of exploration italian painting of the later middle ages list of rulers of europe northern italian renaissance painting painting in oil in the low countries and its spread to southern europe the papacy and the vatican palace patronage at the later valois courts (http://www.metmuseum.org/toah/hd/leon/hd_leon.htm [1666 words]
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