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Arms and Armor—Common Misconceptions and Frequently Asked Questions

The field of arms and armor is beset with romantic legends, gory myths, and widely held misconceptions. Their origins usually are to be found in a lack of knowledge of, and experience with, genuine objects and their historical background. Most of them are utter nonsense, devoid of any historical base. Perhaps the most infamous example is the notion that "knights had to be hoisted into their saddles with a crane," which is as absurd as it is persistent even among many historians. In other instances, certain technical details that escape an obvious explanation have become the focus of lurid and fantastically imaginative attempts to explain their original function. Among these, the lance rest, an object protruding from the proper right side of many breastplates, probably holds first place.
Arms and Armor—Common Misconceptions and Frequently Asked Questions | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtArms and Armor—Common Misconceptions and Frequently Asked Questions | Thematic Essay | Heilbrunn Timeline of Art History
and with time increasingly so—supported (and opposed) by foot soldiers, such as archers, pikemen, crossbowmen, and handgunners. during a campaign, a knight depended on a small host of retainers, squires, and attendants who lent armed support and looked after his horses, armor, and other equipment—not to mention the peasants and craftsmen, who made the organization of a feudal society with its warrior class possible in the first place.
http://www.metmuseum.org/toah/hd/aams/hd_aams.htm [6517 words]
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Associated subjects: asian art (+), ancient near eastern art (+), function (+), viking (+), element of fashion (+), roman republic (+), islamic (+), famous german and italian armorers (+), medieval (+), renaissance (+), feudal society (+), mesopotamian city of ur (+), graves (+), fifteenth century (+), weaponry (+), medieval europe (+), persian (+), possibilities for decoration (+), greece (+), virgin mary (+), buddha (+), louis xiii (+), mounted warrior (+), technical complexity (+), gothic taste (+), buddhist (+), habsburg court (+), twelfth century (+), armor for man (+), sixteenth century (+)
Oil painting - Altarpiece of St George - Victoria & Albert Museum - Search the CollectionsOil painting - Altarpiece of St George - Victoria & Albert Museum - Search the Collections
when the retable was dismantled for cleaning in 1969-72, a reconstruction was attempted, re-arranging the panels to fit the sequence of the story. in the reconstructed retable the order of scenes follows the text with only one exception; 1 st george armed by the virgin and angels. 2 silene, libya; the dragon threatening the city was pacified by the sacrifice of a man and a sheep. 3 when the lot fell upon the king's daughter, the king protested but was forced to give up his daughter.
http://collections.vam.ac.uk/item/O17807/oil-painting-altarpiece-of-st-george/ [4276 words]
Horse Armor in Europe | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtHorse Armor in Europe | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
... horse armor enjoyed its final flowering during the first half of the sixteenth century, and full bards ( 21.42,14.25.854 ) remained common until about 1550, as long as the heavy cavalry was still armed with the traditional lance. every element, from the small shields (escutcheon) ( 1985.259.2 ) on shaffrons down to the saddle steels ( 21.102.9; 29.171 ), continued to be decorated in a variety of different techniques.
http://www.metmuseum.org/toah/hd/hors/hd_hors.htm [3141 words]
Warfare in Ancient Greece | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtWarfare in Ancient Greece | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
earned enough from their land to maintain a horse and so fought as cavalry; the third wealthiest group, the zeugitai, were able to afford the equipment of a hoplite; the wealthiest class, the pentakosiomedimnoi ("five-hundred-bushel men"), supplied the leaders for the armed forces; and the poorest class, the thetes, were hired laborers who served as oarsmen in the athenian fleet, or as archers and light-armed men on land. ... backed up by archers and light-armed troops,
http://www.metmuseum.org/toah/hd/gwar/hd_gwar.htm [1014 words]
Recognizing the Gods | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtRecognizing the Gods | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
seated ganesha, ca. 15th century; sukhothai or lan na style thailand bronze h. 12 3/4 in. (32.4 cm), w. 7 1/8 in. (18.1 cm) gift of the kronos collections, in honor of helen cook, 1983 (1983.512) ... standing four-armed vishnu, pre-angkor period, ca. second half of 7th century vietnam (mekong delta area) stone h. 41 in. (104.1 cm) purchase, lita annenberg hazen charitable trust gift, 1992 (1992.53) ... bodhisattva padmapani,
http://www.metmuseum.org/toah/hd/gods/hd_gods.htm [2259 words]
Neck amphora [Greek, Attic] (10.210.7) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtNeck amphora [Greek, Attic] (10.210.7) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art
the heads are rendered in profile and the bodies in three-quarter view. scattered lozenges, zigzags, and other shapes fill the background of both figural scenes. snakes modeled in the round set off the lip, shoulder, and tall handles of the amphora. armed warriors, chariots, and horses are the most familiar iconography of the geometric period. whether these images reflect a real world of military threat and conflict, or refer to the heroic deeds of ancestors,
http://www.metmuseum.org/toah/works-of-art/10.210.7 [255 words]
Fur Traders Descending the Missouri ¦ George Caleb Bingham ¦ Highlights ¦ American Paintings and Sculpture ¦ Collection Database ¦ Works of Art ¦ The Metropolitan Museum of Art, New YorkFur Traders Descending the Missouri ¦ George Caleb Bingham ¦ Highlights ¦ American Paintings and Sculpture ¦ Collection
constructed for a northeastern audience. the tranquil work was submitted to the art-union as a possible companion to the more implicitly violent "the concealed enemy" (stark museum of art, orange, texas), in which an armed osage warrior lies in wait behind a boulder. the polar opposition of quietude, savagery, and frontier danger embodied in the paintings held enormous appeal for urban viewers. bingham painted a similar,
http://www.metmuseum.org/works_of_art/collection_database/all/fur_traders_descending_the_missouri_george_caleb_bingham/o [333 words]
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