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Painting Formats in East Asian Art
While the earliest known paintings in East Asia were painted on the walls of tombs, during the last two millennia, a variety of distinctive portable formats for viewing and storing paintings and calligraphy were developed and are common, with certain nuances, to all three countries of China, Korea, and Japan. Typically, paintings and calligraphy are created by an artist on sheets of paper or silk laid on a flat surface. The finished work is then mounted on a support system in the suitable format. Because a water-soluble glue is traditionally used to adhere the picture to the mounting, the two can be separated and the latter replaced from time to time to help preserve the work of art. In all cases, it has never been the tradition in East Asia to display works of art for long periods of time. They are shown for short occasions and then put away in storage.
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Works of Art ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art present by geographical region africa central america central and north asia east asia europe north america oceania south america south and southeast asia west asia thematic essays recent additions ¦ all thematic essays select a thematic category african art american art ancient near eastern art art of the americas asian art byzantine art egyptian art european art greek and roman art islamic art medieval art modern and contemporary art oceanic/pacific art prehistory select a department american decorative arts american paintings and sculpture ancient near eastern art arms and armor arts of africa,http://www.metmuseum.org/toah/works-of-art/23.128%200 [1440 words]
Art of the Edo Period (1615–1868) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art japanese, active early 17th century); calligraphy by hon'ami koetsu (japanese, 1558–1637) ink on paper decorated with gold and silver 7 7/8 x 7 in. (20 x 17.8 cm) the harry g. c. packard collection of asian art, gift of harry g. c. packard, and purchase, fletcher, rogers, harris brisbane dick, and louis v. bell funds, joseph pulitzer bequest and the annenberg fund inc. gift, 1975 (1975.268.59) ... http://www.metmuseum.org/toah/hd/edop/hd_edop.htm [1785 words]
Tibetan Buddhist Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art tibetan buddhist art... portrait of a lama, last quarter of 11th century tibet (a kadampa monastery) distemper on cloth 18 1/4 x 14 1/4 in. (46.4 x 36.2 cm) purchase, friends of asian art gifts, 1991 (1991.152) ... portrait of atisha, ca. 1100 tibet (a kadampa monastery) distemper on cloth 19 1/2 x 13 15/16 in. (49.5 x 35.4 cm) gift of the kronos collections, 1933 (1993.479) ... http://www.metmuseum.org/toah/hd/tibu/hd_tibu.htm [1078 words]
Shoguns and Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art orchids and rocks, muromachi period (1392–1573) gyokuen bompo (japanese, 1348–after 1420) japan hanging scroll; ink on paper 39 1/2 x 13 1/8 in. (100.3 x 33.3 cm) the harry g.c. packard collection of asian art, gift of harry g.c. packard, and purchase, fletcher, rogers, harris brisbane dick and louis v. bell funds, joseph pulitzer bequest, and the annenberg fund inc. gift, 1975 (1975.268.38)... http://www.metmuseum.org/toah/hd/shga/hd_shga.htm [1738 words]
Seasonal Imagery in Japanese Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art bamboo in the four seasons, muromachi period (1392–1573) attributed to tosa mitsunobu (japanese, 1434–1535) pair of six-panel folding screens; color, ink, and gold on paper 68 5/8 x 150 1/4 in. (174.3 x 381.6 cm) the harry g. c. packard collection of asian art, gift of harry g. c. packard, and purchase, fletcher, rogers, harris brisbane dick, and louis v. bell funds, joseph pulitzer bequest, and the annenberg fund inc. gift, 1975 (1975.268.44,45) ... http://www.metmuseum.org/toah/hd/seim/hd_seim.htm [1432 words]
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