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Commercial Exchange, Diplomacy, and Religious Difference between Venice and the Islamic world

Venetian Traders in the Islamic World Marco Polo's (1254–1324) intrepid twenty-five-year journey took him from Venice to China, where he met the Great Khan of the Mongol empire, Kublai Khan. Though his experience was exceptional for its duration and for the illustrious people whom he encountered, Polo is simply the most famous of the thousands of Venetian merchants who sought to make a fortune by acquiring luxury goods, spices, and raw materials in the East and selling them for a high return on Venetian markets. For Venetians, Levantine emporia became synonymous with profit, and visiting them was a crucial part of a young nobleman's education. Their most frequent ports of call included Istanbul, Damascus, Cairo, Aleppo, Tripoli, and Alexandria. Handbooks and travel diaries, often written in Venetian dialect, offered these merchants advice about tariffs, prices, weights, and measures in these cities, while astrolabes and portolans aided them in overseas travel. In many Near Eastern cities, Venice had established trading colonies where its traveling merchants could find lodging, food, a public bath, and a church upon arrival. Multilingual interpreters, known as dragomans, were often readily available for hire, though many Venetian merchants did learn Arabic and Persian so that they could have firsthand interactions with Muslim traders and custom officials. Arabic w
Commercial Exchange, Diplomacy, and Religious Difference between Venice and the Islamic world | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtCommercial Exchange, Diplomacy, and Religious Difference between Venice and the Islamic world | Thematic Essay | Heilbru
though many venetian merchants did learn arabic and persian so that they could have firsthand interactions with muslim traders and custom officials. arabic words in particular infiltrated the venetian dialect as a result. few of the works of art created by bellini during his ottoman sojourn survive, but the episode lives on as one of the high points in artistic and cultural exchange between venice and its islamic neighbors.... related... cited works of art or images (8)...
http://www.metmuseum.org/toah/hd/cedr/hd_cedr.htm [1616 words]
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Associated subjects: attributed to gentile bellini (+), giovanni bellini (+), italian (+), painter (+), european paintings (+), andrea mantegna (+), paolo veronese (+), donatello (+), istanbul (+), della francesca (+), leon battista alberti (+), overseas travel (+), pieter breughel de oudere (+), proto-renaissance (+), mongol empire (+), mannerism (+), leonardo da vinci (+), buonarroti michelangelo (+), tintoretto (+), giambologna (+), albrecht durer (+), vasari (+), city's self-definition (+), titian (+), raphael (+), early renaissance (+), venetian school (+), giorgione (+), fra angelico (+), crusades (+)
Museum Boijmans Van Beuningen, Gentile Bellini - Portrait of Andrea Vendramin, Doge of Venice, With His Secretary and a Papal Nuncio - c. 1476 - 1478Museum Boijmans Van Beuningen, Gentile Bellini - Portrait of Andrea Vendramin, Doge of Venice, With His Secretary and a
attributed to gentile bellini portrait of andrea vendramin, doge of venice, with his secretary and a papal nuncio c. 1476 - 1478 prints & drawings gentile bellini is de oudste zoon en leerling van jacopo bellini (c. 1400-1471), die zelf een leerling was van gentile da fabriano (c.
http://collectie.boijmans.nl/en/work/MB%201958/T%2031%20(PK) [240 words]
Giovanni Bellini: Madonna and Child (08.183.1) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtGiovanni Bellini: Madonna and Child (08.183.1) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art
madonna and child , probably late 1480s giovanni bellini (italian, venetian, active by 1459, died 1516) oil on wood 35 x 28 in. (88.9 x 71.1 cm) rogers fund, 1908 (08.183.1) this beautiful picture, probably painted in the late 1480s, is a work of giovanni bellini's maturity.
http://www.metmuseum.org/toah/works-of-art/08.183.1 [107 words]
National Gallery of Art, Giovanni Bellini (Getty Museum)National Gallery of Art, Giovanni Bellini (Getty Museum)
giovanni bellini b. about 1430 venice, italy, d. 1516 venice, italy painter italian writing from italy in 1506, albrecht durer observed that giovanni bellini was "very old, but still the best in painting.
http://www.getty.edu/art/gettyguide/artMakerDetails?maker=3016 [250 words]
National Gallery of Art, The Feast of the GodsNational Gallery of Art, The Feast of the Gods
giovanni bellini and titian giovanni bellini (painter) italian, c. 1430/1435 - 1516 titian (painter) italian, c. 1490 - 1576 the feast of the gods , 1514/1529 oil on canvas overall: 170.2 x 188 cm (67 x 74 in.
http://www.nga.gov/collection/gallery/gg17/gg17-1138.html [1365 words]
National Gallery of Art, NGA - The Feast of the GodsNational Gallery of Art, NGA - The Feast of the Gods
formed the key element in one of the finest domestic decorative schemes of the italian renaissance—the private study of alfonso d'este, duke of ferrara. the duke commissioned the two leading painters from venice—first giovanni bellini and, later, his former pupil titian—to depict bacchanals or revelries with mythological themes for the study. begun by 1511, the room in the castle at ferrara came to be called the alabaster chamber after its alabaster sculpture.
http://www.nga.gov/collection/gallery/gg17/gg17-over1.html [275 words]
The Adoration of the Shepherds ¦ Andrea Mantegna ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of Art ¦ The Metropolitan Museum of Art, New YorkThe Adoration of the Shepherds ¦ Andrea Mantegna ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of Art
a drawing of the madonna and child (galleria degli uffizi, florence) is now generally thought to be a copy after the painting, rather than a study for it. the river and rocky outcrop in the landscape were repeated by giovanni bellini in his dead christ in the museo poldi-pezzoli, milan. [2011] technical notes although the edges were badly damaged when the painting was transferred from panel to canvas, some evidence remains along the entire perimeter of the original lipped edge and red painted outline.
http://www.metmuseum.org/works_of_art/collection_database/all/the_adoration_of_the_shepherds_andrea_mantegna/objectview. [6273 words]
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