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Popular Religion: Magical Uses of Imagery in Byzantine Art
Christianity was central to the outlook and personal identity of the average Byzantine; nonetheless, there is abundant physical evidence that some types of popular religious or "magical" practices were widespread from late antiquity to the end of the empire. Many of these activities concerned protection from danger, and more frequently issues of health. The word apotropaic, which literally refers to warding away evil, is often applied to such ritual behaviors.
Popular Religion: Magical Uses of Imagery in Byzantine Art | Thematic Essay | Heilbrunn Timeline of Art History | The Me this image provides an example of a pagan theme that became a source for the christian iconography of saints on horseback, such as george, sisinnios, and theodore. what appears initially as a secular, aristocratic image is infused with a sublimated religious and protective theme. glyptic ... apart from clothing, the byzantines also employed gemstones to counter the effects of illness and to ward off the omnipresent danger of the evil eye. a belief in amulets and the magical properties of stones was not relegated to the realm of the uneducated and superstitious.
http://www.metmuseum.org/toah/hd/popu/hd_popu.htm [1919 words]
Results 1 - 7 of 9 for - byzantines - in 0.00109696388244629 seconds.
Associated subjects: saints (+), death (+), boots (+), louis ix (+), faithful (+), byzantines regained the city (+), babylon (+), eucharist (+), byzantium (+), amulets (+), dionysiac scenes (+), knights (+), herakles (+), cameos (+), infancy of christ (+), seljuq-controlled territories (+), tapestry (+), byzantine (+), christ (+), byzantine empire (+), monks (+), christians of the east (+), medicine (+), nebuchadnezzar (+), wild animals (+), from the atlantic ocean (+), illuminated manuscripts (+), monumental decorations (+), drama (+), red-figure vase paintings (+)
The Crusades (1095–1291) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art muslim forces advanced across syria and finally retook jerusalem in october 1187. by the end of the third crusade (1189–92), however, crusader forces had gained cyprus and the city of acre. with each crusade, relations between the byzantines and the western forces became more estranged. ... the fourth crusade the fourth crusade set out in 1202 with egypt as its goal. after choosing sides in a dynastic dispute in byzantium,
http://www.metmuseum.org/toah/hd/crus/hd_crus.htm [961 words]
![Mosaic with a Peacock and Flowers [Roman or Byzantine; Probably from North Africa] (26.68) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art](http://kunstbus.com/images/k/me/www.metmuseum.org/toah_2F_images_2F_h2_2F_h2_26.68.jpg)
Mosaic with a Peacock and Flowers [Roman or Byzantine; Probably from North Africa] (26.68) ¦ Heilbrunn Timeline of Art H this mosaic, probably part of a much larger floor mosaic, shows a peacock among flowers. the peacock was a popular subject for roman and byzantine artists, often used to represent paradise, renewal, and spring. byzantines might have thought the peacock an appropriate symbol for the season, because its elaborate feathers grew each spring. associating the peacock with heavenly paradise was an extension of the byzantine vision of earthly paradise
http://www.metmuseum.org/toah/works-of-art/26.68 [143 words]
Woven silk - Victoria & Albert Museum - Search the Collections albert museum' in hali: the international magazine of fine carpets and textiles , 1988, vol. 38, pp. 20-27, pl. 6. lyon, musee historique des tissus & martiniani-reber, marielle. soieries sassanides, coptes et byzantines v - xi siecles (paris: ministere de la culture et de la communication editions de la reunion des musees nationaux, inventaire des collections publiques francaises 30, 1986), pp.99-102 baumstark, reinhold, ed.
http://collections.vam.ac.uk/item/O93132/woven-silk/ [1081 words]
The Art of the Umayyad Period (661–750) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum o the main artistic influence came from the late antique classical naturalistic tradition, which had been prevalent on the eastern shores of the mediterranean. this was also supplemented by the more formal modes developed by the byzantines and sasanians, a factor that especially affected metalwork, textiles, and the depiction of animal, vegetal, and figural motifs. with time, however, artists developed new techniques, forms, and decorative conventions that distinguished their works from earlier ones.
http://www.metmuseum.org/toah/hd/umay/hd_umay.htm [907 words]
The Religious Relationship between Byzantium and the West | Thematic Essay | Heilbrunn Timeline of Art History | The Met meeting in ferrara until an outbreak of the plague forced the assembly to move to florence, the members debated issues such as primal papacy and purgatory. political as well as theological issues were at stake. the papacy hoped for political subordination of the byzantine empire. the byzantines wanted military aid against the turks. the union decree of the july 6, 1439, proved ephemeral and, after the collapse of the empire, the byzantine church renounced the agreement. ... while attempts at official union between the churches were not wholly successful,
http://www.metmuseum.org/toah/hd/rrbw/hd_rrbw.htm [836 words]
Nudity and Classical Themes in Byzantine Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Mus christ christian plaque christian reliquary cross crucifixion death eros or cupid funerary art from west asia king david mythological figure from west asia ruler saint from west asia saint john the baptist warrior ... share... | more ... before delving further into this topic, one must understand what was considered "nude" to the byzantines. the greek word for nude is gumnos, from which the english word gym is derived; it defines both the state of being naked but also describes figures in a state of partial dress. the appearance of christ upon the cross wearing only a loincloth would have been considered "
http://www.metmuseum.org/toah/hd/nuby/hd_nuby.htm [1517 words]