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The Kilt
The kilt has come to signify a natural and unmistakable masculinity, but it has a long history of outside intervention and deliberate reinvention. From its origins as the basic garb of the Highlander, Scotsmen and non-Scotsmen alike have embraced it as uniform, formal and semi-formal wear, and casual everyday wear. The kilt's ability to remain recognizable while responding to changing circumstances and consumer demands has been instrumental in maintaining its popularity through successive generations and, increasingly, throughout the world. Form and Evolution The kilt as we know it today originated in the first quarter of the eighteenth century. Known to the Gaelic-speaking Highlander as the "little wrap" ( feileadh beag ), it evolved from the "big wrap" ( feileadh mor ), or belted plaid, the first identifiably "Scottish" costume that emerged in the late sixteenth century. Earlier, the Scottish Gaels had worn the same clothes as their Irish counterparts, namely a shirt known in Gaelic as the léine and a semi-circular mantle known in Gaelic as the brat .
The Kilt | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art through the efforts of the highland society of london, the diskilting act was repealed. by that time, the kilt had fallen out of use as an item of ordinary dress, allowing for what malcolm chapman in the celts: the construction of a myth (1992) calls the "romantic rehabilitation of highland dress." 3 the romantic gaze was a reaction against the urban and the industrial and a celebration of the untamed wilderness. http://www.metmuseum.org/toah/hd/kilt/hd_kilt.htm [2184 words]
Results 1 - 7 of 10 for - celts - in 0.001068115234375 seconds.
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costume of the roman citizen (
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septimius severus (
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la venta (
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non-roman (
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red slip pottery (
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roman prosperity (
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freestanding sculpture (
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asia minor (
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hellenistic (
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Celtic Art bronze shield, 33cm, iron age, 2nd century bc celtic art celtic art is art from the celts; those who spoke the celtic languages in continental europe and the british isles as well as the ancient peoples that have cultural and stylistic similarities. celtic art covers a huge expanse of time, geography and cultures. http://www.kunstbus.com/locate/celtic+art [349 words]
Terret (Rein Guide) [Celtic; Britain] (1988.79) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art purchase, harris brisbane dick fund; joseph pulitzer bequest; pfeiffer, rogers, fletcher, louis v. bell, and dodge funds; and j. richardson dilworth, peter sharp, and annette reed gifts, 1988 (1988.79) the celts' use of chariots in warfare was legendary in the ancient world. roman writers such as polybius, livy, and julius caesar describe the terror and turmoil wreaked upon the roman infantry as hundreds of celtic chariots entered battle bearing spear-throwing warriors. http://www.metmuseum.org/toah/works-of-art/1988.79 [315 words]
Gold Neck Ring ¦ Highlights ¦ Medieval Art ¦ Collection Database ¦ Works of Art ¦ The Metropolitan Museum of Art, New Yo its excellent condition suggests that it might have served as a ritual offering or been placed in a tomb to accompany the dead into the afterlife. it may also simply have been deluxe jewelry. in about 50 b.c. the roman historian diodorus siculus wrote that celts in gaul "gather gold that is used for ornaments not only for women but men as well, for they wear bracelets on their arms and wrists and also massive solid-gold collars around their necks.http://www.metmuseum.org/works_of_art/collection_database/all/gold_neck_ring/objectview.aspx?page=1&sort=5&collI [339 words]
Sword and Scabbard ¦ Highlights ¦ Medieval Art ¦ Collection Database ¦ Works of Art ¦ The Metropolitan Museum of Art, Ne although the scabbard has become amalgamated to the iron blade, affecting parts of the surface, its ornamentation and the exquisitely worked hilt make the whole an evocative statement about the technical ability of the celts, the powerful conquerors of ancient europe. the sword is of a type associated with the la tene culture, named after the important celtic site on lake neuchatel in present-day switzerland and eastern france. http://www.metmuseum.org/works_of_art/collection_database/all/sword_and_scabbard/objectview.aspx?page=1&sort=5&c [309 words]
Gold Neck Ring ¦ Highlights ¦ Medieval Art ¦ Collection Database ¦ Works of Art ¦ The Metropolitan Museum of Art, New Yo its excellent condition suggests that it might have served as a ritual offering or been placed in a tomb to accompany the dead into the afterlife. it may also simply have been deluxe jewelry. in about 50 b.c. the roman historian diodorus siculus wrote that celts in gaul "gather gold that is used for ornaments not only for women but men as well, for they wear bracelets on their arms and wrists and also massive solid-gold collars around their necks.http://www.metmuseum.org/works_of_art/collection_database/all/gold_neck_ring/objectview.aspx?page=1&sort=5&collI [339 words]
Sword [Celtic] (1999.94a-d) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art 1st century b.c.; late iron age (la tene) celtic iron blade, copper alloy hilt and scabbard l. 19 3/4 in. (50 cm) rogers fund, 1999 (1999.94a-d) this sword offers eloquent testimony to the value that celts placed on war and weaponry. celtic artists often ingeniously integrated animal and human forms in the decoration of precious objects; here a warrior serves as the dramatic hilt for a double-edged sword. http://www.metmuseum.org/toah/works-of-art/1999.94a-d [230 words]
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