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Constantinople after 1261

In 1261, the Greeks regained control of Constantinople from the Crusaders, who had assaulted the city in 1204. Michael VIII Palaiologos (r. 1259–82), hailed as the New Constantine, devoted much of his efforts to rebuilding the capital, restoring damaged churches, monasteries, and public buildings. But however concerted the effort to rebuild, the city was struggling: the expense of reconstruction devalued the Byzantine currency, the territorial base of the empire steadily contracted, and the population dwindled considerably. The Byzantine aristocracy failed to compete with the Genoese and the Venetians, who oversaw increasingly profitable trade routes. Moreover, Constantinople was one of the first cities to lose many of its citizens to the Black Death in 1347. In the fourth to fifth centuries, the population is estimated to have been between 250,000 and 1,000,000. By 1453, when the Turks invaded the city, it had declined to 50,000.
Constantinople after 1261 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtConstantinople after 1261 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
constantinople after 1261... psalter, late 12th century byzantine tempera, black ink, gold leaf on parchment with paper endpapers; 87 folios 8 1/8 x 5 7/8 x 2 in. (20.7 x 14.9 x 5.1 cm) purchase, the jaharis family foundation inc.
http://www.metmuseum.org/toah/hd/cnst/hd_cnst.htm [1183 words]
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Associated subjects: lose (+), muslim (+), hagia sophia (+), suleymaniye mosque (+), the crusaders (+), septimius severus (+), monasteries (+), manuscripts (+), flemish, brussels or bruges, 1465 - 1470 (+), m romuleon (+), enkolpion (+), master of the brussels romuleon (+), islamic east (+), distinct portrait types (+), byzantine rulers (+), fresco and mosaic images (+), use of icons (+), antiquity (+), ivory (+), sacred personage (+), roman (+), ancient roman empire (+), church of hagia sophia (+), rise of islam (+), ottoman turks (+), crucifixion (+), ivory carving (+), byzantium (+), islamic conquests (+), mosaic and fresco (+)
Watercolour - The Entrance to the Golden Horn, Constantinople - Victoria & Albert Museum - Search the CollectionsWatercolour - The Entrance to the Golden Horn, Constantinople - Victoria & Albert Museum - Search the Collections
the entrance to the golden horn, constantinople object: watercolour place of origin: turkey (painted) date: 1853 (painted) artist/maker: preziosi, aloysius rosarius amadeus raymondus andreas (5th count preziosi) (painter (artist)
http://collections.vam.ac.uk/item/O148084/watercolour-the-entrance-to-the-golden/ [450 words]
Cameo of the Virgin and Child [Byzantine (probably Constantinople)] (2007.445) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtCameo of the Virgin and Child [Byzantine (probably Constantinople)] (2007.445) ¦ Heilbrunn Timeline of Art History ¦ The
cameo of the virgin and child , ca. 1050–1100 byzantine (probably constantinople); mounted in paris ca. 1800 in a gold frame by adrien jean maximillian vachette (1753–1839) agate 3 x 2 1/8 x 1/4 in. (7.7 x 5.4 x .7 cm), without frame 2 3/8 x 1 5/8 in. (6 x 4 cm) gift of john c.
http://www.metmuseum.org/toah/works-of-art/2007.445 [292 words]
Watercolour - The Gardens of the Seraglio with European visitors inspecting the Column of the Goths, Constantinople - Victoria & Albert Museum - Search the CollectionsWatercolour - The Gardens of the Seraglio with European visitors inspecting the Column of the Goths, Constantinople - Vi
the gardens of the seraglio with european visitors inspecting the column of the goths, constantinople object: watercolour place of origin: turkey (painted) date: ca. 1800-1820 (painted) artist/maker: preaulx [preaux], michel-francois (painter) materials and techniques: pen and ink and watercolour credit line:
http://collections.vam.ac.uk/item/O148080/watercolour-the-gardens-of-the-seraglio/ [519 words]
Enkolpion: Cameo of an Archangel (Michael?) [Byzantine (Constantinople?)] (40.20.58) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtEnkolpion: Cameo of an Archangel (Michael?) [Byzantine (Constantinople?)] (40.20.58) ¦ Heilbrunn Timeline of Art History
enkolpion: cameo of an archangel (michael?) , probably 14th century byzantine (constantinople?) sardonyx overall: 1 1/8 x 3/4 x 3/8 in. (2.8 x 2.1 x .4 cm) the milton weil collection, 1940 (40.20.58) this small oval cameo, which probably depicts the archangel michael, was once most likely set into a metal frame to be worn suspended from its owner's neck.
http://www.metmuseum.org/toah/works-of-art/40.20.58 [318 words]
National Gallery of Art, Initial A: The Body of Saint Anthony Transported to Constantinople and the Healing of Two Lepers after Touching the Saint's Body (Getty Museum)National Gallery of Art, Initial A: The Body of Saint Anthony Transported to Constantinople and the Healing of Two Leper
initial a: the body of saint anthony transported to constantinople and the healing of two lepers after touching the saint's body master of the brussels romuleon , illuminator flemish, brussels or bruges, 1465 - 1470 tempera colors, gold leaf, gold paint, and ink on parchment 9 3/4 x 6 15/16 in.
http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=4401 [86 words]
Icons and Iconoclasm in Byzantium | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtIcons and Iconoclasm in Byzantium | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
(80.3 x 53.7 cm); painted surface: 30 x 19 1/2 in. (76.2 x 49.5 cm) gift of irma n. straus, 1960 (60.173) ... reliquary of the true cross (staurotheke), late 8th–early 9th century byzantine; made in constantinople cloisonne enamel, silver, silver-gilt, gold, niello 4 x 2 7/8 in. (10.2 x 7.3 cm) gift of j. pierpont morgan, 1917 (17.190.715ab) ... icon with saint demetrios, ca. 950–1000 byzantine inscribed in greek:
http://www.metmuseum.org/toah/hd/icon/hd_icon.htm [1960 words]
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