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The Crucifixion and Passion of Christ in Italian Painting
The Passion narrative, which relates the events of Christ's last week on earth, was a constant focus in Italian painting. Formidable traditions governed the representation of the Crucifixion and other Passion scenes, and yet Italian painters continually renewed them through creative engagement with established conventions. Unlike the stories associated with Christ's birth, the episodes of the Passion are colored by painful emotions, such as guilt, intense pity, and grief, and artists often worked to make the viewer share these feelings. In this, they supported the work of contemporary theologians, who urged the faithful to identify with Christ in his sufferings that they might also hope to share his exaltation.
The Crucifixion and Passion of Christ in Italian Painting | Thematic Essay | Heilbrunn Timeline of Art History | The Met the crucifixion and passion of christ in italian painting... the last supper ugolino da siena (italian, sienese, active 1315–30s) tempera on panel overall 15 x 22 1/4 in. (38.1 x 56.5 cm), painted surface 13 1/2 x 20 3/4 in. (34.3 x 52.7 cm) robert lehman collection, 1975 (1975.1.7) ...
http://www.metmuseum.org/toah/hd/pass/hd_pass.htm [2330 words]
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We only show the first 70 results for these searchterm(s). Try an extra searchterm to refine the searchresults. Associated subjects: the cloisters (+), jan van eyck and workshop assistant (+), european paintings (+), pablo picasso (+), paul gauguin (+), francis bacon (+), leonardo da vinci (+), virgin mary (+), pietro lorenzetti (+), landscape (+), roman armor (+), meditation (+), communion (+), gospels (+), broke bread (+), mattia preti (+), costumes (+), ludovico carracci (+), classical models (+), catholic church (+), fra angelico (+), life of christ (+), italian painting (+), ugolino da nerio (+), monastic communities (+), christ's birth (+), moretto da brescia (+), el greco (+), state of undress (+), christianity (+)
Diptych with Scenes of the Annunciation, Nativity, Crucifixion, and Resurrection ¦ Highlights ¦ The Cloisters ¦ Collecti diptych with scenes of the annunciation, nativity, crucifixion, and resurrection date 1300–1325 geography made in probably cologne, germany culture german medium silver gilt with translucent and opaque enamels dimensions overall (opened): 2 3/8 x 3 3/
http://www.metmuseum.org/works_of_art/collection_database/all/diptych_with_scenes_of_the_annunciation_nativity/objectvie [307 words]
The Crucifixion; The Last Judgment ¦ Jan van Eyck and Workshop Assistant ¦ Highlights ¦ European Paintings ¦ Collection the crucifixion; the last judgment date ca. 1430 medium oil on canvas, transferred from wood dimensions each 22 1/4 x 7 2/3 in. (56.5 x 19.7 cm) classification paintings credit line fletcher fund, 1933 accession number 33.
http://www.metmuseum.org/works_of_art/collection_database/all/the_crucifixion_the_last_judgment_jan_van_eyck_and_worksho [11608 words]
Panel - Crucifixion - Victoria & Albert Museum - Search the Collections crucifixion object: panel place of origin: umbria (probably, made) date: ca. 1370-1380 (made) materials and techniques: glass backed with engraved gold foil museum number: 4486-1858 gallery location:
http://collections.vam.ac.uk/item/O1071/panel-crucifixion/ [1763 words]
Guggenheim, Collection Online | Francis Bacon. Three Studies for a Crucifixion. March 1962 in 1944, one of the most devastating years of world war ii, francis bacon painted three studies for figures at the base of a crucifixion. with this horrific triptych depicting vaguely anthropomorphic creatures writhing in anguish, bacon established his reputation as one of england's foremost figurative painters and a ruthless chronicler of the human condition.
http://www.guggenheim.org/new-york/collections/collection-online/show-full/piece/?search=Three%20Studies%20for%20a%20Cru [431 words]
Window - Crucifixion - Victoria & Albert Museum - Search the Collections crucifixion object: window place of origin: lower rhine (made) date: ca. 1525 (made) materials and techniques: clear and coloured glass with painted details and yellow (silver) stain credit line: given by j.
http://collections.vam.ac.uk/item/O86093/window-crucifixion/ [1382 words]
Triptych - The Nativity with the Adoration of the Magi, the Crucifixion and the Last Judgement - Victoria & Albert Museu the nativity with the adoration of the magi, the crucifixion and the last judgement object: triptych place of origin: england (made) date: ca. 1300 (made) artist/maker: unknown materials and techniques: carved ivory museum number: 243:1, 2-1867 gallery location:
http://collections.vam.ac.uk/item/O72525/triptych-the-nativity-with-the-adoration/ [393 words]