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Roman Egypt

Rome's rule over Egypt officially began with the arrival of Octavian (later called Augustus) in 30 B.C., following his defeat of Marc Antony and Cleopatra in the battle at Actium. Augustus, who presented himself to the people of Egypt as the successor to the pharaohs, dismantled the Ptolemaic monarchy and annexed the country as his personal estate. He appointed a prefect (governor) for a limited term, which effectively depoliticized the country, neutralized rivalries for its control among powerful Romans, and undermined any possible focus for local sentiments. For almost a decade, Egypt was garrisoned with Roman legions and auxiliary units until conditions became stable. All business was transacted according to the principles and procedures of Roman law, and local administration was converted to a liturgic system in which ownership of property brought an obligation of public service. New structures of government formalized the privileges associated with "Greek" background.
Roman Egypt | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtRoman Egypt | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
as egyptian gods were increasingly represented in classicizing style. egyptian funerary arts evolved in a new and creative direction: traditional idealized images gave way to ones accessorized with contemporary greco-roman coiffures and dress as influenced by fashions of the imperial court at rome, and even panel portraits were painted in the illusionistic greco-roman style. ... by the second century a.
http://www.metmuseum.org/toah/hd/regy/hd_regy.htm [1415 words]
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Associated subjects: portraits (+), painter; draftsman (+), venice (+), european paintings (+), titian (+), mannerist (+), annibale carracci (+), velazquez (+), caravaggio (+), el greco (domenikos theotokopoulos) (+), constantinople (+), devotional paintings (+), germanic tribes (+), byzantine icons (+), octavian (+), roman empire (+), panel portraits (+), vermeer (+), pharaohs (+), vitruvius (+), jacopo bassano (+), figural construction (+), gaul (+), baroque style (+), byzantine period (+), gymnasia (+), titus (+), ottoman (+), cyprus (+), severan (+)
Bronze waterspout in the form of a lion mask [Greco-Roman; Said to be from Kourion] (74.51.5677-5678) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtBronze waterspout in the form of a lion mask [Greco-Roman; Said to be from Kourion] (74.51.5677-5678) ¦ Heilbrunn Timeli
water spouts in the form of a lion mask , ca. 100 b.c.–100 a.d.; late hellenistic or early roman greco-roman; said to be from kourion bronze h. 5 1/8 in. (13 cm) the cesnola collection, purchased by subscription, 1874-76 (74.51.5677-5678) these impressive objects must have adorned a monumental public fountain house (
http://www.metmuseum.org/toah/works-of-art/74.51.5677-5678 [110 words]
View of Toledo ¦ El Greco (Domenikos Theotokopoulos) ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of Art ¦ The Metropolitan Museum of Art, New YorkView of Toledo ¦ El Greco (Domenikos Theotokopoulos) ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of
gallery 619 catalogue entry signatures, inscriptions, and markings provenance exhibition history references gallery label catalogue entry we know remarkably little about the circumstances around the creation of this masterpiece, el greco's greatest surviving landscape. there is a possibility that it was still in the artist's studio when he died, for the 1614 inventory of his possessions lists three landscapes: a "toledo" and "
http://www.metmuseum.org/works_of_art/collection_database/all/view_of_toledo_el_greco_domenikos_theotokopoulos/objectvie [6370 words]
El Greco (Domenikos Theotokopoulos) (1541–1614) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtEl Greco (Domenikos Theotokopoulos) (1541–1614) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan
el greco (domenikos theotokopoulos) (1541–1614)... view of toledo el greco (domenikos theotokopoulos) (greek, 1541–1614) oil on canvas 47 3/4 x 42 3/4 in. (121.3 x 108.6 cm) h. o. havemeyer collection,
http://www.metmuseum.org/toah/hd/grec/hd_grec.htm [1987 words]
The Roman Empire (27 B.C.–393 A.D.) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtThe Roman Empire (27 B.C.–393 A.D.) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Ar
ca. 14–9 b.c.; augustan roman marble h. 77 5/8 in. (1.97 m) gift of john d. crimmins, 1904 (04.15) ... water spouts in the form of a lion mask, ca. 100 b.c. –100 a.d.; late hellenistic or early roman greco-roman; said to be from kourion bronze h. 5 1/8 in. (13 cm) the cesnola collection, purchased by subscription, 1874-76 (74.51.5677-5678) ... mummy mask, roman period, ca. 60–70 egyptian; probably from meir painted plaster,
http://www.metmuseum.org/toah/hd/roem/hd_roem.htm [3329 words]
Hellenistic and Roman Cyprus | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtHellenistic and Roman Cyprus | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
said to be from the temple of apollo hylates at kourion terracotta h. 13 5/8 in. (34.6 cm) the cesnola collection, purchased by subscription, 1874-76 (74.51.1449) ... water spouts in the form of a lion mask, ca. 100 b.c. –100 a.d.; late hellenistic or early roman greco-roman; said to be from kourion bronze h. 5 1/8 in. (13 cm) the cesnola collection, purchased by subscription, 1874-76 (74.51.5677-5678) ... statuette of a temple boy, 3rd century b.c.; hellenistic cypriot;
http://www.metmuseum.org/toah/hd/hcyp/hd_hcyp.htm [1141 words]
Retrospective Styles in Greek and Roman Sculpture | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtRetrospective Styles in Greek and Roman Sculpture | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolita
184 ). to what extent neo-attic artists adhered to their prototypes is a question than can be answered only by carefully considering each work individually. ... the function of retrospective style in greco-roman sculpture is one of continuing debate. perhaps greek and roman artists intentionally drew upon stylistic features of earlier artistic periods in order to distinguish specific representations as divine or otherworldly.
http://www.metmuseum.org/toah/hd/grsc/hd_grsc.htm [1277 words]
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