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Art and Death in Medieval Byzantium

Dramatic illustrations of saintly deaths, as well as elaborate tombs featuring portraits of the deceased, were among the most powerful and persistent images in medieval Byzantium from the ninth to the fifteenth century. Such artistic monuments expressed both individual and communal ideas about death, and life after death. Byzantine Christians believed in the soul's gradual separation from the earthly body after dying, led forth by the archangel Michael. This separation of the soul from the flesh happened over the course of three days and concluded ultimately, at the end of time, in the Last Judgment, a belief held commonly by medieval Christians in both East and West. At the Last Judgment, the individual soul was either eternally condemned to hell or placed among the saved in the gardens of Paradise.
Art and Death in Medieval Byzantium | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtArt and Death in Medieval Byzantium | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Ar
as well as elaborate tombs featuring portraits of the deceased, were among the most powerful and persistent images in medieval byzantium from the ninth to the fifteenth century. such artistic monuments expressed both individual and communal ideas about death, and life after death. byzantine christians believed in the soul's gradual separation from the earthly body after dying, led forth by the archangel michael. this separation of the soul from the flesh happened over the course of three days and concluded ultimately,
http://www.metmuseum.org/toah/hd/dbyz/hd_dbyz.htm [1770 words]
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Associated subjects: european paintings (+), albrecht durer (+), crucifixion (+), the virgin (+), renaissance (+), joseph mallord william turner (+), constantinople (+), lovis corinth (+), relics (+), virgin mary (+), drawings (+), peter paul rubens (+), christ's passion (+), titian and workshop (+), classical antiquity (+), ernst ludwig kirchner (+), william blake (+), john constable (+), thomas cole (+), william a. garnett (+), nicolas poussin (+), el greco (domenikos theotokopoulos) (+), leonardo da vinci (+), roman republic (+), man ray (+), sir max beerbohm (+), impressionist (+), henri michel antoine chapu (+), hans memling (+), lute (+)
Tate Collection | The House of Death by William BlakeTate Collection | The House of Death by William Blake
tended the sick... / and over them triumphant death his dart/shook'. blake claimed that his epic poem, milton 1804, had been 'recited' to him by milton's spirit. in this poem blake criticises the poet's ideas, and milton asks for his errors to be corrected. (from the display caption september 2004) Tate is a public institution owned by, and existing for, the public. Tate's mission is to increase public knowledge,
http://www.tate.org.uk/servlet/ViewWork?workid=1135 [145 words]
Thomas Cole: The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst (1977.182.7) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtThomas Cole: The Fountain, No. 1: The Wounded Indian Slaking His Death Thirst (1977.182.7) ¦ Heilbrunn Timeline of Art H
graphite and white gouache on green wove paper 7 x 9 3/4 in. (17.7 x 24.8 cm) gift of erving wolf foundation, 1977 (1977.182.7) cole, the founder of the hudson river school of landscape painters, made this drawing to rehearse ideas for a series of paintings—never executed—based on william cullen bryant's epic poem "the fountain" (1839). the poem narrates the rise of american civilization within a single natural setting,
http://www.metmuseum.org/toah/works-of-art/1977.182.7 [179 words]
Liverpool museums - 'Effigy of Victoire Auguste Antoinette of Saxe-Coburg-Gotha, Duchesse de Nemours', Henri Michel Antoine Chapu Liverpool museums - 'Effigy of Victoire Auguste Antoinette of Saxe-Coburg-Gotha, Duchesse de Nemours', Henri Michel Anto
the musee chapu has at least one pen and ink drawing for the commission, showing several sketches for the tomb plinth and three for the figure itself 18. the small studies show that one of chapu's original ideas for the effigy was to portray the duchess with her hands crossed over her chest. this was a more traditional pose for a tomb effigy, derived from the sculpture of medieval and renaissance france,
http://www.liverpoolmuseums.org.uk/walker/collections/foreign/duchesse_nemours_chapu.asp [3481 words]
MoMA | The Collection | Käthe Kollwitz. (German, 1867-1945)MoMA | The Collection | Käthe Kollwitz. (German, 1867-1945)
the importance of sculpture in her work must not be underestimated. it is often possible to perceive an interaction between graphic and sculptural work that operates both stylistically and in the reciprocal usage of images and ideas. as a printmaker and sculptor alike, kollwitz was a slow worker. the parents' monument (granite, h. of mother 1.22 m, h. of father 1.51 m, 1924; finished and erected 1932, eessen-roggevelde (
http://moma.org/collection_ge/browse_results.php?criteria=O:AD:E:3201%7CA:AR:E:1&role=1 [1453 words]
View of Toledo ¦ El Greco (Domenikos Theotokopoulos) ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of Art ¦ The Metropolitan Museum of Art, New YorkView of Toledo ¦ El Greco (Domenikos Theotokopoulos) ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of
who is known to have been a friend and patron of el greco. jonathan brown and richard l. kagan. "view of toledo." studies in the history of art [figures of thought: el greco as interpreter of history, tradition, and ideas] 11 (1982), pp. 19–30, ill. (overall and detail) and colorpl. 7, give further information about salazar y mendoza and comment that his interest in local history, topography, and cartography suggests that he may have encouraged el greco to undertake his two known essays in landscape painting—
http://www.metmuseum.org/works_of_art/collection_database/all/view_of_toledo_el_greco_domenikos_theotokopoulos/objectvie [6370 words]
MoMA | German Expressionism ChronologyMoMA | German Expressionism Chronology
in the swiss alps pechstein is released from military duty and returns to berlin the dresden artist felixmuller and others begin to organize expressionist soirees at felixmuller's studio, evolving into the expressionist working group dresden; the group promoted pacifism, socialist ideas, and politically engaged art beckmann creates several religious paintings inspired by gothic and northern renaissance panel painting, which he absorbed while stationed in belgium mass uprisings in st.
http://moma.org/explore/collection/ge/chronology [3427 words]
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