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Woodcut Book Illustration in Renaissance Italy: The First Illustrated Books
The golden age of Italian woodcut illustration began in the last quarter of the fifteenth century and lasted for roughly 100 years, during which period some of the most harmonious and delightful books ever produced issued from Italian presses. The woodcuts designed for these books, in which one can find the graceful refinement of Botticelli, the monumental classicism of Mantegna, the idealized naturalism of Titian, and the mannered elegance of Salviati, are among the most beautiful prints of the Italian Renaissance. Within a decade of its invention, the printing press had been introduced into Italy by the Germans Conrad Sweynheym and Arnold Pannartz, who in 1464 set up a press at the Benedictine monastery in Subiaco, probably at the invitation of the abbot, Cardinal Turrecremata. This same cardinal was responsible for the first illustrated book published in Italy, his Meditationes de vita Christi, published in Rome in 1467 by Ulrich Han of Vienna (2d ed., 1473; 27.36), in which the thirty bold woodcuts serve as important aids to devout meditation. There has been debate about whether the designer of these woodcuts was Italian or Northern, although most scholars are agreed that the cutter was of Northern origin. In contrast, the spare and elegant woodcuts of the second illustrated book printed in Italy, the De re militari ( 26.71.4 ), appear wholly Italian. Published in...
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MoMA | German Expressionism Illustrated Books view all illustrated books in the german expressionism collection » ernst barlach the head 1919 for this illustrated version of a poem by russian emigre reinhold von walter… more » max beckmann city night 1921 while convalescing in frankfurt after a mental breakdown during world war i…http://moma.org/explore/collection/ge/illustrated_books [536 words]
Woodcut Book Illustration in Renaissance Italy: Florence in the 1490s | Thematic Essay | Heilbrunn Timeline of Art Histo with the medici setting the tone—continued to prefer the luxury of the entirely handmade book. printing began to catch on only in the 1490s, catering mainly to the demands of a middle- and lower-class public. one of the first illustrated books to be published in florence, a small mathematics primer ( 19.24 ) of 1491/92, was probably intended for aspiring merchants, as suggested by both the dedication and the content of many of the word problems. http://www.metmuseum.org/toah/hd/wiff/hd_wiff.htm [1081 words]
The Art History Archive, Books about Women Artists - Book Reviews a dictionary of women artists of australia max germaine. craftsman house, 1997. north american women artists of the twentieth century: a biographical dictionary jules heller (editor), nancy g. heller (editor). garland pub trade, 1997. from booknews: "an illustrated reference that provides accurate, concise, and accessible biographical and bibliographic information on women artists from canada, mexico, and the us. some 1,500 alphabetical entries cover widely recognized professional artists born before 1960 who work in a broad range of fields:http://www.arthistoryarchive.com/arthistory/feminist/Books-about-Women-Artists.html [1691 words]
MoMA | The Collection | Alfred Kubin. (Austrian, 1877-1959) although his output decreased. his later ink drawings include the powerful drought (1948; vienna, albertina) and caliban (1954; vienna, albertina), the latter inspired by shakespeare's the tempest . his later illustrated books included e. t. a. hoffmann's marchen (vaduz, 1947) and also variationen zu arthur honegger, der totentanz, dichtung von paul claudel (vienna and munich, 1951). there is an archive at the stadtische galerie im lenbachhaus in munich,http://moma.org/collection_ge/browse_results.php?criteria=O:AD:E:3276%7CA:AR:E:1&role=1 [1121 words]
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