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Venice and the Islamic World, 828–1797
Founded in the seventh century and built upon more than 100 islets in a lagoon off the northeast coast of the Italian peninsula, Venice grew to be one of the largest cities in Europe and the capital of a great trading empire whose reach extended far into the eastern Mediterranean. Venice initially had strong political ties to Byzantium, and in the tenth and eleventh centuries Venetian merchants obtained the trading privileges from the Byzantine emperors that gave them a distinct advantage over their rivals from other western European cities. The fact that Venetian gold ducat had currency throughout the Near East is an indication of the ubiquity and importance of Venetian merchants there. As Byzantium gradually gave way to Islamic caliphates from the eighth century onward, meeting its ultimate demise in 1453 at the hands of the Ottoman sultan Mehmet II, Venetians increasingly came into contact with Muslims and their ideas, culture, and way of life. As a result, Venice became Christian Europe's most important interface with the Muslim civilizations of the Near East.
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calligraphy (
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arabesque (
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muslim (
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islamic art (
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arabic (
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istanbul (
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relics (
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book covers (
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mongol empire (
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manuscript illustration (
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islamic style (
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treatise (
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city's self-definition (
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zoomorphic motifs (
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into arabic (
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byzantine culture (
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mughal rule (
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mosaic glass (
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magic (
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islamic merchants (
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vegetal patterns (
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new discoveries (
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umayyad caliphate (
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cameo (
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venetian artist (
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sultan (
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illustrations in books (
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islamic decorative arts (
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painted objects (
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prophet muhammad (
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Islamic art elephant ivory, year 357 of the hegira (ad 968), spain, madinat al-zahra, the louvre islamic art art and architecture produced from the 7th century onwards by people (not necessarily muslim) in the service of the muslim faith (for example, a mosque and its furnishings), in the lands ruled by muslims, produced for muslim patrons, or created by muslim artists. http://www.kunstbus.com/locate/islamic+art [417 words]
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