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Venice and the Islamic World, 828–1797

Founded in the seventh century and built upon more than 100 islets in a lagoon off the northeast coast of the Italian peninsula, Venice grew to be one of the largest cities in Europe and the capital of a great trading empire whose reach extended far into the eastern Mediterranean. Venice initially had strong political ties to Byzantium, and in the tenth and eleventh centuries Venetian merchants obtained the trading privileges from the Byzantine emperors that gave them a distinct advantage over their rivals from other western European cities. The fact that Venetian gold ducat had currency throughout the Near East is an indication of the ubiquity and importance of Venetian merchants there. As Byzantium gradually gave way to Islamic caliphates from the eighth century onward, meeting its ultimate demise in 1453 at the hands of the Ottoman sultan Mehmet II, Venetians increasingly came into contact with Muslims and their ideas, culture, and way of life. As a result, Venice became Christian Europe's most important interface with the Muslim civilizations of the Near East.
Venice and the Islamic World, 828–1797 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtVenice and the Islamic World, 828–1797 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of
venice and the islamic world, 828–1797... astrolabe of c umar ibn yusuf al-muzaffari, rasulid period (1228–1454), dated a.h. 690/a.d. 1291 yemen brass; pierced and engraved (a) case: gr. w. 7 5/8 in. (19.4 cm), diam.
http://www.metmuseum.org/toah/hd/vnis/hd_vnis.htm [1242 words]
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Associated subjects: islamic art (+), calligraphy (+), istanbul (+), relics (+), mongol empire (+), city's self-definition (+), magic (+), islamic merchants (+), venetian artist (+), sultan (+), illustrations in books (+), islamic trading partners (+), cairo (+), arabic and persian (+), byzantine emperors (+), overseas travel (+), byzantium (+), trading colonies (+), carpets (+), ottoman empire (+), silk (+), c abbasids (+), illustrated manuscripts (+), 828 (+), glass (+), engravings (+), ottoman (+), textiles (+), mamluks (+), parmesan cheese (+)
Amulets and Talismans from the Islamic World | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtAmulets and Talismans from the Islamic World | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Mus
amulets and talismans from the islamic world... panel, c abbasid period (750–1258), early 9th century iraq, takrit wood (teak), carved h. 29 1/2 in. (74.9 cm), w. 33 1/2 in. (85.1 cm) rogers fund, 1933 (33.41.1a–e) ... amulet, 11th century; fatimid egypt ink on paper h.
http://www.metmuseum.org/toah/hd/tali/hd_tali.htm [1922 words]
Europe and the Islamic World, 1600–1800 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtEurope and the Islamic World, 1600–1800 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum o
europe and the islamic world, 1600–1800 ... writing box, late 16th–early 17th century india, gujarat or sindh wood with ivory and sadeli decoration; 13 1/2 x 20 7/8 in. (34.3 x 53 cm) purchase, pat and john rosenwald gift, 2004 (2004.439) ...
http://www.metmuseum.org/toah/hd/erpr/hd_erpr.htm [1355 words]
Commercial Exchange, Diplomacy, and Religious Difference between Venice and the Islamic world | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtCommercial Exchange, Diplomacy, and Religious Difference between Venice and the Islamic world | Thematic Essay | Heilbru
commercial exchange, diplomacy, and religious difference between venice and the islamic world... astrolabe of c umar ibn yusuf al-muzaffari, rasulid period (1228–1454), dated a.h. 690/a.d. 1291 yemen brass; pierced and engraved (a) case: gr. w. 7 5/8 in. (19.4 cm), diam. 6 1/8 in. (15.6 cm), th.
http://www.metmuseum.org/toah/hd/cedr/hd_cedr.htm [1616 words]
The Arts of the Book in the Islamic World, 1600–1800 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtThe Arts of the Book in the Islamic World, 1600–1800 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropol
the arts of the book in the islamic world, 1600–1800 ... pen box, 13th century western iran or northern iraq (al-jazira) brass inlaid with gold and silver h. 1 5/8 in. (4.1 cm), l. 8 3/4 in. (22.2 cm) gift of mrs. lucy w. drexel, 1889 (89.2.194) ...
http://www.metmuseum.org/toah/hd/isbk/hd_isbk.htm [1507 words]
Carpets from the Islamic World, 1600–1800 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtCarpets from the Islamic World, 1600–1800 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum
carpets from the islamic world, 1600–1800... the emperor's carpet (detail), mid-16th century iran (probably herat) silk (warp and weft), wool (pile), asymmetrically knotted pile 24 ft. 8 in. x 10 ft. 10 in. (7.51 x 3.3 m) rogers fund, 1943 (43.121.1) ...
http://www.metmuseum.org/toah/hd/crpt/hd_crpt.htm [1451 words]
Astronomy and Astrology in the Medieval Islamic World | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtAstronomy and Astrology in the Medieval Islamic World | Thematic Essay | Heilbrunn Timeline of Art History | The Metropo
astronomy and astrology in the medieval islamic world... ewer, seljuq period (1040–1196), ca. 1180–1210 iran, khurasan brass; raised, repousse, inlaid with silver and black compound h. 15 3/4 in. (40 cm), diam. 7 1/2 in. (19.1 cm) rogers fund, 1944 (44.15) ...
http://www.metmuseum.org/toah/hd/astr/hd_astr.htm [2828 words]
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