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Woodcut Book Illustration in Renaissance Italy: The First Illustrated Books
The golden age of Italian woodcut illustration began in the last quarter of the fifteenth century and lasted for roughly 100 years, during which period some of the most harmonious and delightful books ever produced issued from Italian presses. The woodcuts designed for these books, in which one can find the graceful refinement of Botticelli, the monumental classicism of Mantegna, the idealized naturalism of Titian, and the mannered elegance of Salviati, are among the most beautiful prints of the Italian Renaissance. Within a decade of its invention, the printing press had been introduced into Italy by the Germans Conrad Sweynheym and Arnold Pannartz, who in 1464 set up a press at the Benedictine monastery in Subiaco, probably at the invitation of the abbot, Cardinal Turrecremata. This same cardinal was responsible for the first illustrated book published in Italy, his Meditationes de vita Christi, published in Rome in 1467 by Ulrich Han of Vienna (2d ed., 1473; 27.36), in which the thirty bold woodcuts serve as important aids to devout meditation. There has been debate about whether the designer of these woodcuts was Italian or Northern, although most scholars are agreed that the cutter was of Northern origin. In contrast, the spare and elegant woodcuts of the second illustrated book printed in Italy, the De re militari ( 26.71.4 ), appear wholly Italian. Published in...
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salviati (
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christian dior (
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titian (
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fra angelico (
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papal court in rome (
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american colonies (
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rural england (
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classical roman examples (
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paul klee (
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pilgrimage (
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shoes (
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printed books (
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monasteries (
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private devotion (
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italian renaissance (
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woodcuts (
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liturgical (
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doric, ionic, and corinthian (
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frescoes (
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custom-made couture (
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childbirth (
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gothic style (
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domestic architecture (
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marriage (
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sporty comfort of american design (
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bauhaus' (
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musician (
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