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The Art of the Mamluk Period (1250–1517)

The Mamluk sultanate (1250–1517) emerged from the weakening of the Ayyubid realm in Egypt and Syria (1250–60). Ayyubid sultans depended on slave (Arabic: mamluk, literally "owned," or slave) soldiers for military organization, yet mamluks of Qipchaq Turkic origin eventually overthrew the last Ayyubid sultan in Egypt, al-Malik al-Ashraf (r. 1249–50) and established their own rule. Their unusual political system did not rely entirely on family succession to the throne—slaves were also recruited into the governing class. Hence the name of the sultanate later given by historians. Following the defeat of Mongol armies at the Battle of c Ayn Jalut (1260), the Mamluks inherited the last Ayyubid strongholds in the eastern Mediterranean. Within a short period of time, the Mamluks created the greatest Islamic empire of the later Middle Ages, which included control of the holy cities Mecca and Medina. The Mamluk capital, Cairo, became the economic, cultural, and artistic center of the Arab Islamic world.

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Associated subjects: timur (+), mongol armies (+), ottoman empire (+), enameled and gilded glass (+), ayyubid sultans (+), commercial and diplomatic relations (+), clocks (+), safavid (+), ilkhanids (+), mamluks (+), armor (+), islamic-style bookbindings (+), carpets (+), portraits (+), ottomans (+), spice (+), ayyubids (+), crusaders (+), fatimids (+), south and southeast asia (+), calligraphy (+), every artistic field (+), mamluk empire (+), constantinople (+), byzantine (+), seljuq sultanate in anatolia (+), reign of suleyman (+), mongol rule (+), holy cities of islam (+), hagia sophia (+)

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