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The Art of the Mughals after 1600

After the death of Akbar, architect of the Mughal empire and active patron of the arts, his son Jahangir (r. 1605–27) ascended to the throne. As a prince, Jahangir had established his own atelier in Allahabad and had strong artistic tastes, preferring a single painter to work on an image rather than the collaborative method of Akbar’s time. He also encouraged careful plant and animal studies, and prized realistic portraiture and Europeanized subjects. The books Jahangir commissioned ranged from literary works such as the Razmnama (a Persian translation of the Hindu epic, the Mahabharata ) to historical texts, including an illustrated version of the memoirs of his reign, the Tuzuk-i Jahangiri. But more common from his era are lavishly finished albums containing paintings and calligraphy samples mounted onto pages with decorative borders and then bound with covers of stamped and gilded or painted and lacquered leather. If he could not obtain a work he wanted, he had it copied, and at one time dispatched an artist to Iran to paint a likeness of Shah c Abbas .

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Associated subjects: calligraphy (+), shah (+), shah jahan (+), literary (+), timur (+), timurid traditions (+), hindus (+), muslim (+), jews (+), ottoman empire (+), sixteenth- and seventeenth-century originals (+), neoclassical painters (+), palladian villa design (+), daguerreotypes (+), neoclassical palaces (+), british east india company (+), mughal emperors (+), mughal painting (+), calligrapher (+), safavids of iran (+), geometric patterns (+), byzantine (+), figural representation (+), muslim faith (+), carpet (+), vegetal patterns (+), textile (+), umayyad caliphate (+), ottomans (+), sasanian (+)

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