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The Printed Image in the West: History and Techniques
In an environment permeated by almost infinitely multiplied images—in newspapers and magazines, on billboards and computer screens—it is hard to imagine a world in which every image was unique. Yet prior to the fifteenth century, images were not only one-of-a-kind but rare, generally found locked away in palaces, to which few had access, or affixed to the wall of a church. The technology of printmaking, which first fell into place around 1400, suddenly made it possible for hundreds or even thousands of essentially identical images to be produced from a single matrix of carved wood or metal. When this invention was followed in the mid-fifteenth century by the introduction of movable type, so that the first printed books could be produced, the possibilities for the spread of knowledge and ideas expanded in an unprecedented manner. The study of science was advanced through accurate transmission of the forms of medicinal herbs and the results of anatomical investigations ( 38.52; 28.52.2 ); the art of engineering took a great leap forward as detailed diagrams of newly invented machines were duplicated and dispersed throughout Europe, accompanied by instructions. Yet for all the far-reaching results of the capacity to multiply images, the initial demand driving the early print market was the desire for playing cards and inexpensive devotional images. Prints provided a means of
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National Gallery of Art, NGA - Photographs keeffe was deciding where to place the largest and most significant collection of photographs by her late husband, the seminal american photographer alfred stieglitz , she visited the national gallery of art. astutely observing both small details as well as the larger symbolic importance of the still relatively new museum, she wrote to a friend a few days later, "as you probably know, [the gallery] hasn't a speck of dust anywhere," and she noted, "stieglitz worked for the recognition of photography as a fine art—http://www.nga.gov/collection/gallery/photo.shtm [1110 words]
MoMA ¦ The Collection ¦ Joan Miró. Untitled from Série II (Series II). 1947, published 1952-53 one from a series of five etching and aquatints, plate: 14 13/16 x 17 15/16" (37.7 x 45.5 cm); sheet: 19 11/16 x 21 7/8" (50 x 55.6 cm). publisher: maeght editeur, paris. printer: the artist at atelier 17, new york and atelier lacouriere, paris. edition: 13. the associates fund. © 2011 successio miro / artists rights society (ars), new york / adagp, paris 1496.2001 publication excerpts publication excerpt:http://moma.org/collection/browse_results.php?object_id=76987 [446 words]
Anatomy in the Renaissance | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art and recorded such findings in exquisitely detailed studies after the live nude model ( standing youth, 36.101.1 ). ... to their enormous credit, italian renaissance artists also pioneered a consistent vocabulary of anatomical illustration with which new discoveries could be precisely recorded. until the 1490s, the most authoritative anatomical treatise was still crudely illustrated. this was a compendium entitled the fasciculus medicinae to which the name of johannes de ketham is usually attached as author. http://www.metmuseum.org/toah/hd/anat/hd_anat.htm [1539 words]
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