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Kingdoms of Madagascar: Malagasy Funerary Arts

Among the Sakalava, Mahafaly, and Merina peoples, funerary monuments were erected for deceased members of important families. Many of these burial practices still exist today, although it is likely that they have changed over time. In western Madagascar, the Sakalava place their dead in rectilinear enclosures of wooden fencing, the corners of which are embellished with figural sculptures, typically bird figures complemented by representations of men and women ( 1978.412.577 ). Taken as a whole, the sculptural program evokes the balance, harmony, and symmetry of the physical and metaphysical worlds. The birds, which may appear singly or in pairs, are called mijoa, and are believed to represent the interconnection of life and death, while the opposition of male and female human figures suggests fertility and the complementarity of the sexes. Humans are frequently depicted undressed, and in a region of rich textile traditions this nakedness is striking. It is likely that these images of exposed genitalia reinforce concepts of reproduction and regeneration rather than relate to the specific individual commemorated. Another form of wooden sculpture, called voly-hety, is placed at the burial sites of important clans. Measuring approximately two meters in height, these tall, narrow stelae consist of stacked geometric shapes such as circles and semi-circles, as well as horizontal and diagonal lines.
Kingdoms of Madagascar: Malagasy Funerary Arts | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtKingdoms of Madagascar: Malagasy Funerary Arts | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan M
guardians of the state amulets that served to strengthen and protect the power of the court ( 1999.443 ). divine status was bestowed upon ancestral monarchs, and royal circumcision, among other ceremonies, was implemented. finally, new noble and artisanal classes were created. merina rulers developed the marshy lands of the central highlands for rice cultivation, which provided an important dietary staple as well as a trade product that was exchanged for european firearms.
http://www.metmuseum.org/toah/hd/madg_2/hd_madg_2.htm [1268 words]
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Associated subjects: bauhaus (+), school of paris (+), carved ivory (+), neoclassical (+), pierre huyghe (+), oral histories (+), wooden portrait sculpture called ndop (+), paul klee (+), portraits (+), trade routes (+), kongo kingdoms (+), jewelry (+), african slaves (+), united states (+), american expatriate (+), sir eduardo paolozzi (+), weavers (+), fauve (+), romare bearden (+), henri matisse (+), buddhism (+), alfred stieglitz (+), avant-garde in the united states (+), geometric volumes (+), pablo picasso (+), sub-saharan africa (+), abstract expressionists (+), roman imperial period (+), country villas (+), revival styles (+)
Kingdoms of Madagascar: Maroserana and Merina | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtKingdoms of Madagascar: Maroserana and Merina | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Mu
guardians of the state amulets that served to strengthen and protect the power of the court ( 1999.443 ). divine status was bestowed upon ancestral monarchs, and royal circumcision, among other ceremonies, was implemented. finally, new noble and artisanal classes were created. merina rulers developed the marshy lands of the central highlands for rice cultivation, which provided an important dietary staple as well as a trade product that was exchanged for european firearms.
http://www.metmuseum.org/toah/hd/madg_1/hd_madg_1.htm [964 words]
Origins and Empire: The Benin, Owo, and Ijebu Kingdoms | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtOrigins and Empire: The Benin, Owo, and Ijebu Kingdoms | Thematic Essay | Heilbrunn Timeline of Art History | The Metrop
origins and empire: the benin, owo, and ijebu kingdoms... head of an oba, 16th century (ca. 1550) nigeria; edo peoples, court of benin brass h. 9 1/4 in. (23.5 cm) the michael c. rockefeller memorial collection, bequest of nelson a. rockefeller,
http://www.metmuseum.org/toah/hd/beni_2/hd_beni_2.htm [934 words]
Exchange of Art and Ideas: The Benin, Owo, and Ijebu Kingdoms | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtExchange of Art and Ideas: The Benin, Owo, and Ijebu Kingdoms | Thematic Essay | Heilbrunn Timeline of Art History | The
exchange of art and ideas: the benin, owo, and ijebu kingdoms... queen mother pendant mask: iyoba, 16th century nigeria; edo peoples, court of benin ivory, iron, copper (?) h. 9 3/8 in. (23.8 cm) the michael c. rockefeller memorial collection, gift of nelson a.
http://www.metmuseum.org/toah/hd/beni_1/hd_beni_1.htm [2054 words]
Guggenheim, Collection Online | Pierre Huyghe. One Million Kingdoms. 2001Guggenheim, Collection Online | Pierre Huyghe. One Million Kingdoms. 2001
working in an array of cultural formats—from billboards and television broadcasts to community celebrations and museum exhibitions—he reformulates their codes and deploys them as catalysts for creating new experiential possibilities. a mode of perception that lies in the interstices between reality and its representation is the subject of his two-channel video, the third memory, which reenacts the 1972 hold-
http://www.guggenheim.org/new-york/collections/collection-online/show-full/piece/?search=One%20Million%20Kingdoms&f= [495 words]
Kingdoms of Madagascar: Malagasy Textile Arts | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtKingdoms of Madagascar: Malagasy Textile Arts | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Mu
kingdoms of madagascar: malagasy textile arts... amulet ( mohara ody ), 20th century madagascar; menabe, sakalava peoples horn (buffalo), wood, glass, beads, fiber h. 5 1/2 in. (13.97 cm) gift of irwin and marcia hersey,
http://www.metmuseum.org/toah/hd/madg_3/hd_madg_3.htm [670 words]
Kingdoms of the Savanna: The Kuba Kingdom | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtKingdoms of the Savanna: The Kuba Kingdom | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum
view slideshow view thumbnails ... in the seventeenth and eighteenth centuries, the central african interior witnessed the florescence of three large-scale, multi-ethnic states. imported crops and technologies as well as new models of leadership promoted strong, centralized governments that subdued neighboring chiefdoms and regulated trade routes, increasing the wealth and relative stability of the region. client states,
http://www.metmuseum.org/toah/hd/kuba/hd_kuba.htm [860 words]
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