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Art of the Roman Provinces, 1–500 A.D.
At its greatest extent, the empire ruled by Rome reached around the Mediterranean Sea and stretched from northern England to Nubia, from the Atlantic to Mesopotamia. Roman rule united this vast and varied territory, and Roman administration integrated it economically and socially. A traveler making a tour of the several provinces around 212 A.D. (when citizenship was extended to all free-born males) would have found many similarities among the places that he or she visited: Roman coins circulated everywhere, and in every province there were cities adorned with statues of the emperor and buildings such as baths, basilicas, and amphitheaters that embodied Roman cultural and architectural norms. Each region nevertheless had its own history, its own local culture, and its own relationship with Rome. Art demonstrates both the scope and the limits of Roman influence, for the circulation of materials, methods, objects, and art forms created a certain cultural unity, and yet in each place, the persistence of local customs ensured the survival of cultural diversity.
Art of the Roman Provinces, 1–500 A.D. | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of aquatic animal archaeology from africa and egypt child dragon food and feasting funerary art from africa and egypt funerary art from west asia heraldry lists of rulers metalwork with floral motif mosaic with floral motif portrait sculpture from the italian peninsula ruler trade and travel (1–500 a.d.) warfare ... share... | more ... gaul, a large region that roughly corresponds to modern france, provides a representative picture of the interaction between roman and non-roman traditions in the visual arts. before the arrival of the romans, metalwork was a highly developed craft among the celts, whose artisans excelled in enriching metal objects with brightly colored abstract ornament (
http://www.metmuseum.org/toah/hd/gaul/hd_gaul.htm [3245 words]
Results 1 - 7 of 33 for - non roman - in 0.096688985824585 seconds.
First word is leading! Also try roman nonAssociated subjects: portraits (+), mummification (+), statue of the emperor (+), roman republic (+), byzantine art (+), costume of the roman citizen (+), tunisian (+), costumes and hairstyles (+), nile (+), roman rule (+), red slip pottery (+), non-roman (+), asia minor (+), north africa (+), empire ruled by rome (+), hellenistic period (+), ampitheater (+), septimius severus (+), painted portrait (+), amphitheaters (+), greek and roman art (+), freestanding sculpture (+), private spaces (+), alexander the great (+), roman prosperity (+), byzantium (+), books (+), grand tour (+), unknown (+), richard long (+)
Marble portrait of the emperor Caracalla ¦ Highlights ¦ Greek and Roman Art ¦ Collection Database ¦ Works of Art ¦ The M the fire of hephaistos: large classical bronzes from north american collections. cambridge, mass.: harvard university press, p. 150. kleiner, d.e.e. 2000. "family ties: mothers and sons in elite and non-elite roman art." in i claudia ii: women in roman art and society, kleiner, d.e.e. and matheson, s.b., eds. austin: university of texas press, p. 53. picon, carlos a., et al. 2007. art of the classical world in the metropolitan museum of art.
http://www.metmuseum.org/works_of_art/collection_database/all/marble_portrait_of_the_emperor_caracalla/objectview.aspx?p [705 words]
Exoticism in the Decorative Arts | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art earthenware with underglaze and enamel polychrome decoration ("persian" faience) diam. 16 1/8 in. (41.3 cm) purchase, anonymous gift and funds from various donors, 1985 (1985.225) ... view slideshow view thumbnails ... european interest in non-western art was first stimulated by trade with the east in the sixteenth and seventeenth centuries ( 17.190.2045 ). by the nineteenth century, with the advent of the railroad and steamship, lands that were little known to westerners became easier to access.
http://www.metmuseum.org/toah/hd/exot/hd_exot.htm [1902 words]
National Gallery of Art, Bust of Menander (Getty Museum) such as crossroads or even doorways. such places were sites of ritual and worship where the herms served a magical, protective function. the romans later adapted the greek concept of the herm, using it for non-religious, decorative purposes. the heads on roman herms are often portraits of famous people. The J. Paul Getty Museum seeks to further knowledge of the visual arts and to nurture critical seeing by collecting,
http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=7671 [237 words]
Athletics in Ancient Greece | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art athletes were usually naked and covered with olive oil to keep off the dust. they trained in the gymnasium or xystos (covered colonnade), often coached by past victors. the greeks believed that their love for athletics, among other things, distinguished them from non-greeks, and only greek citizens were allowed to compete in the games. colette hemingway independent scholar sean hemingway department of greek and roman art, the metropolitan museum of art The New York City'
http://www.metmuseum.org/toah/hd/athl/hd_athl.htm [949 words]
Ceiling - Ceiling from the Casa Maffi, Cremona; Ceiling painted in grisaille with Apollo and the Muses, and six heads in cremona, 1872. nal pressmark: 186.h.17 p. 35 : "l'affresco nel soffitto d'una sala della casa n.6 via belvedere a cremona rappresentante un ottagono con balaustrata e le figure d'apollo e delle muse non e gia come credeva il grasselli (p.42) opera di bonifazio bembo ma sibbene nello stile di altobello melone e di boccaccio boccaccino. questa decorazione e modellata sul disegno della camera degli sposi del mantegna,
http://collections.vam.ac.uk/item/O72907/ceiling-ceiling-from-the-casa-maffi/ [3877 words]
The Kilt | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art the kilt has come to signify a natural and unmistakable masculinity, but it has a long history of outside intervention and deliberate reinvention. from its origins as the basic garb of the highlander, scotsmen and non-scotsmen alike have embraced it as uniform, formal and semi-formal wear, and casual everyday wear. the kilt's ability to remain recognizable while responding to changing circumstances and consumer demands has been instrumental in maintaining its popularity through successive generations and,
http://www.metmuseum.org/toah/hd/kilt/hd_kilt.htm [2184 words]