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Portraiture in Renaissance and Baroque Europe
A portrait is typically defined as a representation of a specific individual, such as the artist might meet in life. A portrait does not merely record someone's features, however, but says something about who he or she is, offering a vivid sense of a real person's presence. The traditions of portraiture in the West extend back to antiquity and particularly to ancient Greece and Rome, where lifelike depictions of distinguished men and women appeared in sculpture and on coins. After many centuries in which generic representation had been the norm, distinctive portrait likenesses began to reappear in Europe in the fifteenth century. This change reflected a new growth of interest in everyday life and individual identity as well as a revival of Greco-Roman custom. The resurgence of portraiture was thus a significant manifestation of the Renaissance in Europe.
Portraiture in Renaissance and Baroque Europe | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Mu marquand collection, gift of henry g. marquand, 1889 (89.15.19) ... portrait of a carthusian, 1446 petrus christus (netherlandish, active by 1444, died 1475/76) oil on wood overall 11 1/2 x 8 1/2 in. (29.2 x 21.6 cm); painted surface 11 1/2 x 7 3/8 in. (29.2 x 18.7 cm) the jules bache collection, 1949 (49.7.19) ... tommaso di folco portinari (1428–1501); maria portinari (maria maddalena baroncelli, 1456–?), probably 1470 hans memling (http://www.metmuseum.org/toah/hd/port/hd_port.htm [3063 words]
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Liverpool museums - 'Self-portrait as a Young Man' , by Rembrandt van Rijn | Artwork of the Month portraits but in fact focussed primarily on those painted from 1642 onwards. its research showed that there was evidence that in the 1640s, when rembrandt was an internationally known and admired artist for whose painted portrait there was a large and increasing market, his workshop, full of trainee students and studio assistants did produce a number of paintings on canvas which were copied 'self-portraits'. http://www.liverpoolmuseums.org.uk/picture-of-month/displaypicture.asp?id=300 [1480 words]
Liverpool museums - ''Portrait of a Man of the Delves Family', (1577)' , by an unknown artist | Artwork of the Month it was acquired from a dealer in chester in the mid-1950s. it had come from doddington hall, in cheshire, the ancestral home of the delves (later delves-broughton) family. it was believed to have hung there for the four centuries since it was painted. on arrival at the walker, it was in poor condition, and for many years it was kept in store. its surface was secured by adhesive paper to prevent the paint from flaking. in the early 1990s,http://www.liverpoolmuseums.org.uk/picture-of-month/displaypicture.asp?id=16 [1220 words]
Portrait of a Member of the Wedigh Family, Probably Hermann Wedigh (died 1560) ¦ Hans Holbein the Younger ¦ Highlights ¦ and the couple are depicted later in life surrounded by a large family in a drawing taken from the now missing inside wings of the wedigh altarpiece (musee des beaux-arts, lille; see ref. martens 2005). petter (2002) suggests that our portrait was painted by holbein in cologne, where the artist might have stopped on his way from basel to london in 1532. she notes that while the w on a medallion between "her" and "wid," inscribed on the side of the book,http://www.metmuseum.org/works_of_art/collection_database/all/portrait_of_a_member_of_the_wedigh_family_probably_hans_ho [4841 words]
Portrait of a Young Man ¦ Bronzino (Agnolo di Cosimo di Mariano) ¦ Highlights ¦ European Paintings ¦ Collection Database bronzino was himself a poet. it is clear that they are meant to provide a contrast to the sitter's refined facial features and bearing. [2010] technical notes the numerous and important changes made by the artist as he painted were documented in x-radiographs as early as 1930. these have been clarified, and bronzino's artistic process further elucidated, through new x-radiography and infrared reflectography of 2009 revealing underdrawing [http://www.metmuseum.org/works_of_art/collection_database/all/portrait_of_a_young_man_bronzino_agnolo_di_cosimo_di_maria [3816 words]
Slavery is a Woman - "Race, Gender, and Visuality in Marie Benoist's Portrait d'une négresse (1800)" - The Art History A certain details of her physical surroundings—namely, the ancien regime chair and luxurious cloth that drapes both it and her—suggest that she is in a well-to-do domestic space. portrait d'une negresse (fig. 1) was painted in 1800 by marie-guilhelmine benoist (born marie-guillemine leroulx-delaville) (1768-1826), a woman of aristocratic lineage who belonged to a small elite circle of professional women painters that included,http://www.arthistoryarchive.com/arthistory/Slavery-is-a-Woman.html [2520 words]
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