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Art and Death in Medieval Byzantium
Dramatic illustrations of saintly deaths, as well as elaborate tombs featuring portraits of the deceased, were among the most powerful and persistent images in medieval Byzantium from the ninth to the fifteenth century. Such artistic monuments expressed both individual and communal ideas about death, and life after death. Byzantine Christians believed in the soul's gradual separation from the earthly body after dying, led forth by the archangel Michael. This separation of the soul from the flesh happened over the course of three days and concluded ultimately, at the end of time, in the Last Judgment, a belief held commonly by medieval Christians in both East and West. At the Last Judgment, the individual soul was either eternally condemned to hell or placed among the saved in the gardens of Paradise.
Art and Death in Medieval Byzantium | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Ar prayers could be spoken on behalf of the dead to increase the likelihood of a favorable judgment for that individual at the end of time. such prayers for the dead in byzantium were performed in a number of contexts, including: in personal prayers spoken by individuals remembering deceased relatives and loved ones; in monastic rites of commemoration for individuals or families, conducted by nuns and monks at the request of a monastery'
http://www.metmuseum.org/toah/hd/dbyz/hd_dbyz.htm [1770 words]
Results 1 - 7 of 14 for - personal prayers - in 0.0418229103088379 seconds.
First word is leading! Also try prayers personalAssociated subjects: constantinople (+), early christian (+), the virgin (+), monastic rites (+), fresco (+), icons (+), swaddled infant (+), crucifixion (+), ideas about death (+), artistic imagery (+), saintly deaths (+), greco-roman (+), roman empire (+), tapestry (+), illuminated manuscripts (+), objects intended for domestic use (+), virgin mary (+), burgundian court (+), annunciation (+), bolognese (+), life and suffering of christ (+), sophisticated workmanship (+), wedding (+), stained glass (+), reliquaries (+), convent (+), private devotional (+), petrus christus (+), decorative objects (+), monastic cell (+)
Burgundian Netherlands: Private Life | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of A of benefiting from this new source of wealth and patronage. but though the burgundian court was the single most important artistic patron during the period, private citizens were no less interested in using art to express their spiritual concerns and personal ambitions. for citizens of the low countries, art served widely diverse functions, from religious to decorative, and was produced in a broad range of media, from book illumination to tapestry.
http://www.metmuseum.org/toah/hd/bnpr/hd_bnpr.htm [1597 words]
Tristan Tzara - Biography, DADAism & Poetry - The Art History Archive i have given a pretty faithful version of progress, law, morality and all other fine qualities that various highly intelligent men have discussed in so manv books, only to conclude that after all everyone dances to his own personal boomboom, and that the writer is entitled to his boomboom: the satisfaction of pathological curiosity; a private bell for inexplicable needs; a bath; pecuniary difficulties; a stomach with repercussions in life;
http://www.arthistoryarchive.com/arthistory/dada/Tristan-Tzara.html [3728 words]
Gerard David: Christ Blessing (2009.415) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art david produced several diptychs of the virgin and child and a christ bidding farewell to his mother that are similar in scale and treatment to this christ blessing . the arresting psychological presence of all of these images was intended to intensify the meditational experience of the viewer, especially when such tiny personal icons were handheld as inspiration for the recitation of daily prayers. The New York City's Metropolitan Museum of Art collections include more than two million works of art spanning five thousand years from every part of the globe.
http://www.metmuseum.org/toah/works-of-art/2009.415 [260 words]
Tommaso di Folco Portinari (1428–1501); Maria Portinari (Maria Maddalena Baroncelli, born 1456) ¦ Hans Memling ¦ Highlig s portrayal. hans j. van miegroet. gerard david . antwerp, 1989, p. 105. lorne campbell. renaissance portraits . new haven, 1990, pp. 16, 22, pl. (color), notes that memling subjects maria's portrait to personal and contemporary ideals of beauty by raising her brows, elongating her nose, and diffusing the bone structure of her face; sees a striking resemblance to the idealized head of the virgin in lisbon (
http://www.metmuseum.org/works_of_art/collection_database/all/tommaso_di_folco_portinari_1428_1501_maria_portinari_hans_ [5229 words]
National Gallery of Art, Gualenghi-d'Este Hours (Getty Museum) about 1469 tempera colors, gold leaf, gold paint, and ink on parchment bound between wood boards covered with dark red morocco 4 1/4 x 3 1/8 in. ms. ludwig ix 13 this tiny, hand-held manuscript was the personal prayer book of andrea gualengo and his wife, orsina d'este, who was a member of the ruling family of ferrara, where this manuscript was made. a high-ranking courtier at the este court, gualengo successfully negotiated an accord between the cities of faenza and ferrara.
http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=1633 [262 words]
National Gallery of Art, Prayer Book of Cardinal Albrecht of Brandenburg (Getty Museum) ludwig ix 19 the esteemed flemish artist simon bening lavishly illuminated this prayer book for the powerful cardinal albrecht of brandenburg, elector and archbishop of mainz and an ambitious patron of the arts. personal prayer books played an important role in the daily spiritual life of clergy and laity alike. in the later middle ages, as the devout sought a more personal and intimate approach to spirituality,
http://www.getty.edu/art/gettyguide/artObjectDetails?artobj=1639 [248 words]