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The Phoenicians (1500–300 B.C. )

According to ancient classical authors, the Phoenicians were a people who occupied the coast of the Levant (eastern Mediterranean). Their major cities were Tyre, Sidon, Byblos, and Arwad. All were fiercely independent, rival cities and, unlike the neighboring inland states, the Phoenicians represented a confederation of maritime traders rather than a defined country. What the Phoenicians actually called themselves is unknown, though it may have been the ancient term Canaanite. The name Phoenician, used to describe these people in the first millennium B.C., is a Greek invention, from the word phoinix, possibly signifying the color purple-red and perhaps an allusion to their production of a highly prized purple dye.
The Phoenicians (1500–300 B.C.) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtThe Phoenicians (1500–300 B.C.) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
the phoenicians (1500–300 b.c. )... nubian with oryx, monkey, and leopard skins, 8th–7th century b.c.; neo-assyrian period; phoenician style excavated at fort shalmaneser, nimrud (ancient kalhu), mesopotamia ivory h. 5 5/16 in. (13.5 cm) rogers fund, 1960 (60.145.11) ... horse blinker with sphinx, 8th–7th century b.c.; neo-assyrian mesopotamia, nimrud (ancient kalhu) ivory h.
http://www.metmuseum.org/toah/hd/phoe/hd_phoe.htm [999 words]
Results 1 - 7 of 31 for - phoenician - in 0.00135016441345215 seconds.

Associated subjects: hellenistic period (+), cypriot (+), assyrian (+), b.c. (+), persian empire (+), linen chiton and wool himation (+), cesnola collection (+), phoenicians (+), alexander the great (+), greek gods (+), ancient near eastern art (+), hittite (+), etruscan, 680 - 670 b.c. (+), heron class (+), ancient city (+), greek and roman art (+), nineveh (+), mesopotamia (+), augustus (+), third intermediate period (+), north africa (+), sumerian (+), m jardin vertueuse (+), ancient art (+), cyprus (+), burial (+), mycenaean art (+), old kingdom (+), cypriot antiquities (+), egyptian (+)
Plaque with "woman at the window" motif [Neo-Assyrian period; Phoenician style] (57.80.12) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtPlaque with "woman at the window" motif [Neo-Assyrian period; Phoenician style] (57.80.12) ¦ Heilbrunn Timeline of Art H
plaque with "woman at the window" motif , 9th–8th century b.c.; neo-assyrian period; phoenician style probably arslan tash, syria ivory inlaid with glass h. 2 1/2 in. (6.4 cm) fletcher fund, 1957 (57.80.12) a group of ivories that once decorated ancient furniture was said to have been found at arslan tash (
http://www.metmuseum.org/toah/works-of-art/57.80.12 [235 words]
Ewer [Phoenician; [Spain?]] (55.121.1) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtEwer [Phoenician; [Spain?]] (55.121.1) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art
ewer , 7th–6th century b.c. phoenician; [spain?] bronze h. 13.98 in. (35.51 cm) purchase, joseph pulitzer bequest, 1955 (55.121.1) vessels of similar form and construction have been excavated in cyprus, italy, and the iberian peninsula, with related ceramic examples from cyprus and the levant.
http://www.metmuseum.org/toah/works-of-art/55.121.1 [167 words]
Nubian with oryx, monkey, and leopard skins [Excavated at Fort Shalmaneser, Nimrud (ancient Kalhu), Mesopotamia] (60.145.11) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtNubian with oryx, monkey, and leopard skins [Excavated at Fort Shalmaneser, Nimrud (ancient Kalhu), Mesopotamia] (60.145
nubian with oryx, monkey, and leopard skins , 8th–7th century b.c.; neo-assyrian period; phoenician style excavated at fort shalmaneser, nimrud (ancient kalhu), mesopotamia ivory h. 5 5/16 in. (13.5 cm) rogers fund, 1960 (60.145.11) furniture decorated with carved ivory plaques was a symbol of wealth throughout the near east during the early first millennium b.c.
http://www.metmuseum.org/toah/works-of-art/60.145.11 [300 words]
Classical Cyprus (ca. 480–ca. 310 B.C.) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtClassical Cyprus (ca. 480–ca. 310 B.C.) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum o
classical cyprus (ca. 480–ca. 310 b.c. )... anthropoid sarcophagus, last quarter of 5th century b.c.; classical greco-phoenician; from a tomb at amathus marble l. 87 3/4 in. (222.90 cm) the cesnola collection, purchased by subscription, 1874-76 (74.51.2452) ... funerary stele (shaft) surmounted by two sphinxes,
http://www.metmuseum.org/toah/hd/ccyp/hd_ccyp.htm [1200 words]
Tribute bearer with an oryx, a monkey, and a leopard skin ¦ Highlights ¦ Ancient Near Eastern Art ¦ Collection Database ¦ Works of Art ¦ The Metropolitan Museum of Art, New YorkTribute bearer with an oryx, a monkey, and a leopard skin ¦ Highlights ¦ Ancient Near Eastern Art ¦ Collection Database
ancient kalhu) medium ivory dimensions h. 5 5/16 in. (13.5 cm) classification ivory/bone-sculpture credit line rogers fund, 1960 accession number 60.145.11 on view: gallery 400 description provenance description phoenician ivory carvers were strongly influenced by the themes and style of egyptian art owing to traditionally close ties between the two cultures. some phoenician ivories illustrate purely egyptian themes, but many use egyptian motifs in entirely original compositions.
http://www.metmuseum.org/works_of_art/collection_database/all/tribute_bearer_with_an_oryx_a_monkey_and_a_leopard/objectv [300 words]
Stamp scarab seal with winged figures [Levant or Syria] (41.160.162) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtStamp scarab seal with winged figures [Levant or Syria] (41.160.162) ¦ Heilbrunn Timeline of Art History ¦ The Metropoli
stamp scarab seal with winged figures , 6th–5th century b.c. levant or syria green jasper h. 3/8 in. (1.02 cm) bequest of w. gedney beatty, 1941 (41.160.162) around the beginning of the first millennium b.c., phoenician seal engravers adopted the use of the scarab, an egyptian symbol of regeneration. in typical phoenician fashion, the seals were decorated with egyptian motifs that are juxtaposed out of context, sometimes with non-egyptian animal subjects.
http://www.metmuseum.org/toah/works-of-art/41.160.162 [232 words]
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