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phoenician' in whole database
The Phoenicians (1500–300 B.C. )
According to ancient classical authors, the Phoenicians were a people who occupied the coast of the Levant (eastern Mediterranean). Their major cities were Tyre, Sidon, Byblos, and Arwad. All were fiercely independent, rival cities and, unlike the neighboring inland states, the Phoenicians represented a confederation of maritime traders rather than a defined country. What the Phoenicians actually called themselves is unknown, though it may have been the ancient term Canaanite. The name Phoenician, used to describe these people in the first millennium B.C., is a Greek invention, from the word phoinix, possibly signifying the color purple-red and perhaps an allusion to their production of a highly prized purple dye.
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linen chiton and wool himation (
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alexander the great (
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greek gods (
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ancient near eastern art (
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etruscan, 680 - 670 b.c. (
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greek and roman art (
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nineveh (
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cyprus (
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old kingdom (
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cypriot antiquities (
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Nubian with oryx, monkey, and leopard skins [Excavated at Fort Shalmaneser, Nimrud (ancient Kalhu), Mesopotamia] (60.145 nubian with oryx, monkey, and leopard skins , 8th–7th century b.c.; neo-assyrian period; phoenician style excavated at fort shalmaneser, nimrud (ancient kalhu), mesopotamia ivory h. 5 5/16 in. (13.5 cm) rogers fund, 1960 (60.145.11) furniture decorated with carved ivory plaques was a symbol of wealth throughout the near east during the early first millennium b.c. http://www.metmuseum.org/toah/works-of-art/60.145.11 [300 words]
Tribute bearer with an oryx, a monkey, and a leopard skin ¦ Highlights ¦ Ancient Near Eastern Art ¦ Collection Database ancient kalhu) medium ivory dimensions h. 5 5/16 in. (13.5 cm) classification ivory/bone-sculpture credit line rogers fund, 1960 accession number 60.145.11 on view: gallery 400 description provenance description phoenician ivory carvers were strongly influenced by the themes and style of egyptian art owing to traditionally close ties between the two cultures. some phoenician ivories illustrate purely egyptian themes, but many use egyptian motifs in entirely original compositions. http://www.metmuseum.org/works_of_art/collection_database/all/tribute_bearer_with_an_oryx_a_monkey_and_a_leopard/objectv [300 words]
Stamp scarab seal with winged figures [Levant or Syria] (41.160.162) ¦ Heilbrunn Timeline of Art History ¦ The Metropoli stamp scarab seal with winged figures , 6th–5th century b.c. levant or syria green jasper h. 3/8 in. (1.02 cm) bequest of w. gedney beatty, 1941 (41.160.162) around the beginning of the first millennium b.c., phoenician seal engravers adopted the use of the scarab, an egyptian symbol of regeneration. in typical phoenician fashion, the seals were decorated with egyptian motifs that are juxtaposed out of context, sometimes with non-egyptian animal subjects. http://www.metmuseum.org/toah/works-of-art/41.160.162 [232 words]
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