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Carolingian illumination of Saint Mark, early 9th century, from the Ebbo GospelsPre-Romanesque art
Western European art from either the emergence of the Merovingian kingdom in about 500 or from the Carolingian
Renaissance in the late 8th century, to the early 11th century
Romanesque period. The term is generally used for monumental
sculpture and architecture containing both
Roman and
Byzantine elements from the 11th and 12th centuries with massive walls, round arches, and relatively simple ornamentation.
In the outline of
Medieval art
Pre-Romanesque art was preceded by the
Migration Period art of the "barbarians": Hiberno-Saxon peoples in the British Isles and predominantly Merovingian on the Continent. In the Pre-Romanesque period the introduction and absorption of classical Mediterranean and Christian forms with Germanic ones lead to the rise of
Romanesque art in the 11th century.
In this period numerous short-lived states emerged while the nobles struggled with each other for territory and power. At the same time Western Europe saw the
Muslim conquest of the Iberian Peninsula and Southern
Italy, Viking raids in the British isles and western France, and Magyar invasions in Central Europe.
Carolingian art is the roughly 120 year period from about 780 to 900 AD, during Charlemagne's and his immediate heirs rule, popularly known as the Carolingian
Renaissance. Northern European kings promoted classical Mediterranean
Roman art forms for the first time, while also creating innovative new forms such as naturalistic figure line drawings that would have lasting influence.
German pre-Romanesque art during the 120-year period from 936 to 1056 is commonly called
Ottonian art after the three Saxon emperors named Otto who ruled the re-established Holy Roman Empire. From this emerged a renewed faith in the idea of Empire and a reformed Church, creating an atmosphere of heightened cultural and artistic fervour where in masterpieces were created that fused Late Antique, Carolingian, and Byzantine styles. Much Ottonian artists reflected the dynasty's desire to establish visually a link to the Christian rulers of Late Antiquity as well as to their Carolingian predecessors, particularly Charlemagne.
Ottonian monasteries sponsored from emperors and bishops, having the best in equipment and talent available, produced some of the most magnificent medieval illuminated manuscripts.
Anglo-Saxon art covers the period from the time of King Alfred (885), with the revival of English culture after the end of the Viking raids, to the early 12th century, when Romanesque art became the new movement. Prior to King Alfred there had been the Hiberno-Saxon culture, producing in
Insular art the fusion of Anglo-Saxon and
Celtic techniques and motifs. Anglo-Saxon art is mainly known today through illuminated manuscripts and metalwork.
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pre-romanesque art (
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ottonian (
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anglo-saxon (
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byzantium (
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roman empire (
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arts and crafts (
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paul gauguin (
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classical antiquity (
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illuminated manuscripts (
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jan van eyck (
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pablo picasso (
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byzantine art (
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illuminators (
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joseph mallord william turner (
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jean dubuffet (
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Romanesque art romanesque art art of western europe from approximately 1000 ad to the rise of the gothic style in the 13th century. the preceding period is known as the pre- romanesque. romanesque architecture retained many basic features of the buildings of the roman empire like round-headed arches, barrel vaults, apses, and acanthus-leaf decoration - but had also incorporated components of byzantine and eastern origin and developed many very different characteristics.http://www.kunstbus.com/locate/romanesque+art [474 words]
Saint Andrew ¦ Simone Martini ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of Art ¦ The Metropolitan april–june 1972), p. 75, rejects the attribution of the series to lippo vanni, ascribing it to an artist trained in the workshop of simone martini. burton b. fredericksen and federico zeri. census of pre-nineteenth-century italian paintings in north american public collections . cambridge, mass., 1972, pp. 208, 459, 608, as an anonymous male saint by lippo vanni. miklos boskovits. "a dismembered polyptych,http://www.metmuseum.org/works_of_art/collection_database/all/saint_andrew_simone_martini/objectview.aspx?page=1&sor [3200 words]
Art Glossary of Terms - Art Lexicon JA to JZ - The Art History Archive concatenation, fuse, joiner, ligature, and wood. joiner - a carpenter, especially a cabinetmaker. a joiner's craft is called joinery. also see join. joint - a connection between two pieces of material. jomon - a pre-historic period in japanese art history from about 4500 - 200 bce. it was followed by the yayoi period (c. 200 bce - 200 ce). jpeg - joint photographic experts group. used to to refer to the standard they developed for still-http://www.arthistoryarchive.com/arthistory/glossary/Art-Glossary-Terms-JA-JZ.html [814 words]
The Epiphany ¦ Giotto di Bondone ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of Art ¦ The Metropolit place the series in giotto's mature period and date it about the time of the frescoes in the peruzzi chapel in the church of santa croce, florence. burton b. fredericksen and federico zeri. census of pre-nineteenth-century italian paintings in north american public collections . cambridge, mass., 1972, pp. 87, 271, 606. philip hendy. european and american paintings in the isabella stewart gardner museum .http://www.metmuseum.org/works_of_art/collection_database/all/the_epiphany_giotto_di_bondone/objectview.aspx?page=1& [4958 words]
The Epiphany ¦ Giotto di Bondone ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of Art ¦ The Metropolit place the series in giotto's mature period and date it about the time of the frescoes in the peruzzi chapel in the church of santa croce, florence. burton b. fredericksen and federico zeri. census of pre-nineteenth-century italian paintings in north american public collections . cambridge, mass., 1972, pp. 87, 271, 606. philip hendy. european and american paintings in the isabella stewart gardner museum .http://www.metmuseum.org/works_of_art/collection_database/all/the_epiphany_giotto_di_bondone/objectview.aspx?page=1& [4958 words]
Classical Antiquity in the Middle Ages | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of the silver plate showing the battle of david and goliath looks to the old testament for its theme, but to the classical past for its naturalistic style and use of personification ( 17.190.396 ). medieval artists often employed ancient motifs despite their pre-christian connotations. the imagery of dionysos, god of wine, for example, remained popular even after christianity eclipsed his cult ( 26.9.9; 17.190.56 ). as if to deny the distance between antiquity and the present,http://www.metmuseum.org/toah/hd/anti/hd_anti.htm [1624 words]
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