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Private Devotion in Medieval Christianity

Christians in the Middle Ages expressed and strengthened their faith through public rituals, such as celebration of the Eucharist, and personal devotions conducted in a private chapel, a monastic cell, or simply a corner of one's home. Individuals sought to deepen their faith through study, meditation, and prayer, which might be guided by psalters or private prayer books ( 54.1.2; 1998.179 ). Images, usually modest in scale, helped in these spiritual endeavors, since they made tangible the object of devotional practices. Reflecting the wealth and rank of the individual, such images were produced in every medium, from vellum to gold, ivory to clay. The fervor with which individual Christians practiced their faith often took a toll on the objects that aided their devotion. Owners might repeatedly kiss and caress them, wearing away details carved into the surface and obliterating the features of holy figures ( 1987.23 ).
Private Devotion in Medieval Christianity | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtPrivate Devotion in Medieval Christianity | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum
private devotion in medieval christianity... pectoral cross, 6th–7th century byzantine (constantinople?) gold 3 5/8 x 2 3/4 in. (9 x 6.8 cm) gift of john c. weber, 2006 (2006.569) ... reliquary cross with saint george,
http://www.metmuseum.org/toah/hd/priv/hd_priv.htm [2080 words]
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Associated subjects: the virgin (+), psalters or private prayer books (+), child (+), ivory (+), icons (+), monastic cell (+), crucifixion (+), byzantium (+), saints (+), events (+), polychrome (+), protestant reformation (+), liturgy (+), life of christ (+), celebration of the eucharist (+), christ's passion (+), petrus christus (+), annunciation (+), objects intended for domestic use (+), burgundian court (+), life and suffering of christ (+), sophisticated workmanship (+), tapestries (+), convent (+), private devotional (+), decorative objects (+), painted portraits (+), eating or drinking (+), patronage (+), liturgical ceremony (+)
Late Medieval German Sculpture: Images for the Cult and for Private Devotion | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtLate Medieval German Sculpture: Images for the Cult and for Private Devotion | Thematic Essay | Heilbrunn Timeline of Ar
late medieval german sculpture: images for the cult and for private devotion... bust of the virgin, ca. 1390–95 bohemia terracotta with polychromy 12 13/16 x 8 13/16 x 5 7/16 in. (32.5 x 22.4 x 13.8 cm) the cloisters collection, 2005 (2005.393) ... pieta ( vesperbild ), ca.
http://www.metmuseum.org/toah/hd/grmn_4/hd_grmn_4.htm [798 words]
Burgundian Netherlands: Private Life | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtBurgundian Netherlands: Private Life | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of A
court life and patronage european tapestry production and patronage, 1400–1600 food and drink in european painting, 1400–1800 manuscript illumination in northern europe portraiture in renaissance and baroque europe private devotion in medieval christianity ... other thematic essays (23)... the birth and infancy of christ in italian painting couples in art domestic art in renaissance italy early netherlandish painting exoticism in the decorative arts genre painting in northern europe gerard david (
http://www.metmuseum.org/toah/hd/bnpr/hd_bnpr.htm [1597 words]
Madonna and Child ¦ Duccio di Buoninsegna ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of Art ¦ The Metropolitan Museum of Art, New YorkMadonna and Child ¦ Duccio di Buoninsegna ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of Art ¦ The M
this leaves more than twenty years of activity without a single certainly documented work. moreover, both the rucellai madonna and the maesta are large, formal, public commissions, quite different in character from duccio's exquisitely intimate paintings for private devotion. despite this situation, there has developed a consensus that the work closest to the mma painting in style, figure type, and spatial interests is the perugia madonna and child .
http://www.metmuseum.org/works_of_art/collection_database/all/madonna_and_child_duccio_di_buoninsegna/objectview.aspx?pa [4491 words]
Oil painting - The Penitent Saint Mary Magdalen - Victoria & Albert Museum - Search the CollectionsOil painting - The Penitent Saint Mary Magdalen - Victoria & Albert Museum - Search the Collections
one legend describes her as retreating into a grotto at sainte-baume in france, clearly visible behind her in the original painting and print. the small scale of this painting suggests it was painted for private devotion. physical description the penitent st mary magdalen in the wilderness, draped in a reed mat, kneeling in front of a rock and looking upwards with her hands clasped in prayer before a make-
http://collections.vam.ac.uk/item/O128356/oil-painting-the-penitent-saint-mary-magdalen/ [1165 words]
Prayer bead - Rijksmuseum Amsterdam - Museum for Art and History Prayer bead - Rijksmuseum Amsterdam - Museum for Art and History
private worship ... title... prayer bead with a crucifixion and a crucifer... year... c. 1515... artist... adam dirksz ... technique... boxwood... dimensions... diam. 4,6 cm... object number... bk-1981-1... private devotion: focusing on christ's 'glorious sufferings'... domestic shrine showing christ as the man of sorrows ... private worship... the emphasis in the tableau and text of the prayer bead is on christ's passion.
http://www.rijksmuseum.nl/aria/aria_assets/BK-1981-1?page=4&lang=en&context_space= [155 words]
Manuscript Illumination in Northern Europe | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtManuscript Illumination in Northern Europe | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museu
yet by the 1440s its status was rivaled by vigorous book production in the great urban centers of the burgundian netherlands such as bruges, ghent, and valenciennes. despite the escalating popularity of printed books in the sixteenth century, many of europe's rulers and aristocrats continued to commission books of hours for private devotion.... related... multimedia... timelines (4)... central europe (including germany), 1400–1600 a.d. france, 1400–1600 a.d. low countries, 1400–1600 a.d. venice and northern italy, 1400–1600 a.d. ...
http://www.metmuseum.org/toah/hd/manu/hd_manu.htm [1441 words]
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