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Athenian Vase Painting: Black- and Red-Figure Techniques

Between the beginning of the sixth and the end of the fourth centuries B.C., black- and red-figure techniques were used in Athens to decorate fine pottery while simpler, undecorated wares fulfilled everyday household purposes. With both techniques, the potter first shaped the vessel on a wheel. Most sizeable pots were made in sections; sometimes the neck and body were thrown separately, and the foot was often attached later. Once these sections had dried to a leather hardness, the potter assembled them and luted the joints with a slip (clay in a more liquid form). Lastly, he added the handles. In black-figure vase painting, figural and ornamental motifs were applied with a slip that turned black during firing, while the background was left the color of the clay. Vase painters articulated individual forms by incising the slip or by adding white and purple enhancements (mixtures of pigment and clay). In contrast, the decorative motifs on red-figure vases remained the color of the clay; the background, filled in with a slip, turned black. Figures could be articulated with glaze lines or dilute washes of glaze applied with a brush. The red-figure technique was invented around 530 B.C., quite possibly by the potter Andokides and his workshop. It gradually replaced the black-figure technique as innovators recognized the possibilities that came with drawing forms, rather than laboriously delineating them with incisions.
Athenian Vase Painting: Black- and Red-Figure Techniques | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtAthenian Vase Painting: Black- and Red-Figure Techniques | Thematic Essay | Heilbrunn Timeline of Art History | The Metr
athenian vase painting: black- and red-figure techniques... aryballos, ca. 570 b.c.; black-figure greek, attic signed by nearchos as potter terracotta h. 3 1/16 in. (7.77 cm) purchase, the cesnola collection, by exchange, 1926 (26.
http://www.metmuseum.org/toah/hd/vase/hd_vase.htm [1889 words]
Results 1 - 7 of 16 for - red slip pottery - in 0.107656955718994 seconds.
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Associated subjects: inscriptions (+), john matulis (+), american decorative arts (+), modern art (+), european sculpture and decorative arts (+), roman empire (+), greek, athens, about 490 b.c. (+), women (+), textiles (+), louis comfort tiffany (+), eugene shellady (+), calligraphy (+), roman egypt (+), north africa (+), musical instruments (+), bronzes (+), aaron fastovsky (+), silk road (+), highly complex narrative scenes (+), mycenaean greece (+), hellenization (+), han dynasty (+), textile production (+), minoan crete (+), european paintings (+), the cesnola collection (+), wide array of birds (+), rich copper resources (+), tunisian (+), costumes and hairstyles (+)
National Gallery of Art, Covered JarNational Gallery of Art, Covered Jar
american potters produced a variety of wares named after the color of the clay used, but by far the most common american pottery made in the eighteenth and nineteenth centuries was "redware," earthenware made from the red clay readily available along most of the eastern seaboard. red clay lay close to the surface and was easily dug; it could be worked with little difficulty and fired at a low temperature. thus,
http://www.nga.gov/collection/gallery/iadpot/iadpot-19665.html [256 words]
Jar [South central Anatolia] (64.286.5) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of ArtJar [South central Anatolia] (64.286.5) ¦ Heilbrunn Timeline of Art History ¦ The Metropolitan Museum of Art
help archaeologists identify the dates and cultural affiliations of archaeological sites. the site from which this ceramic vessel comes has not been identified. however, the geometric decorative pattern in red paint on cream slip (a thin coating of special clay) is characteristic of the site of hacilar in south central turkey in the chalcolithic period. in the previous neolithic period, the pottery at hacilar was brown-
http://www.metmuseum.org/toah/works-of-art/64.286.5 [282 words]
Jug - Victoria & Albert Museum - Search the CollectionsJug - Victoria & Albert Museum - Search the Collections
jug place of origin: chelsea (made) date: 1909 (made) artist/maker: wells, reginald (makers) materials and techniques: earthenware, slip decoration on a red clay under a transparent glaze museum number: c.82-1981 gallery location: studio ceramics, room 142, case 7, shelf 2 image in copyright summary more information map download pdf version during the 1890s reginald wells trained as a sculptor at the royal college of art,
http://collections.vam.ac.uk/item/O19786/jug/ [295 words]
Vase - Victoria & Albert Museum - Search the CollectionsVase - Victoria & Albert Museum - Search the Collections
architect and designer, and teacher at the baden state art school. from 1916 he had a studio at the karlsruhe majolika-manufaktur, working there until it was destroyed by bombs in 1944. physical description vase of red earthenware with raised and trailed slip and run glaze decoration. nearly cylindrical with four bosses near the top. the upper portion is green running down in streaks over the red ground of the lower part.
http://collections.vam.ac.uk/item/O159825/vase/ [438 words]
National Gallery of Art, Pennsylvania German PlateNational Gallery of Art, Pennsylvania German Plate
having brought these skills from the homeland, they were able to supplement the family income by supplying plates, dishes, and other ceramic articles to neighboring households. because pennsylvania earth was rich in red clay, potters produced redware -- pottery that turned a deep brownish red after firing. this plate, inscribed, "1793 h r," may have been made by the potter henry roudebush. the proudly strutting peacock and stylized flower are typical pennsylvania german motifs.
http://www.nga.gov/collection/gallery/iadpenn/iadpenn-20215.html [254 words]
Flask, Bottle - Victoria & Albert Museum - Search the CollectionsFlask, Bottle - Victoria & Albert Museum - Search the Collections
flask, bottle place of origin: iran (made) date: 1650-1700 (made) 1800-75 (mounting) artist/maker: unknown materials and techniques: fritware, glazed and painted inunderglaze blue and red-slip museum number: 871-1876 gallery location: ceramics study galleries, asia & europe, room 137, case 31, shelf 4 order this image summary more information map download pdf version this large bottle was made in iran in 17th century safavid iran,
http://collections.vam.ac.uk/item/O64736/flask-bottle/ [402 words]
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