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Romanesque art

Art of Western Europe from approximately 1000 AD to the rise of the Gothic style in the 13th century. The preceding period is known as the Pre-Romanesque.

Romanesque architecture retained many basic features of the buildings of the Roman Empire like round-headed arches, barrel vaults, apses, and acanthus-leaf decoration - but had also incorporated components of Byzantine and Eastern origin and developed many very different characteristics. The Romanesque style was the first style to impact the whole of Catholic Europe, from Denmark to Sicily.

Romanesque art was besides the heritage of antiquity also greatly influenced by Byzantine art and the anti-classical decoration of the Insular art, and forged from these elements a highly innovative and coherent style.

In this period Europe grow steadily more prosperous, and art of the highest quality was no longer confined to the royal court and a small circle of monasteries. Lay artists like Nicholas of Verdun or Master Hugo were becoming a valued figure. Most masons and goldsmiths were now lay, and lay painters seem to have been in the majority.

Romanesque art resulted from the great expansion of monasticism in the 10th and 11th centuries, when Europe first regained a measure of political stability after the fall of the Roman Empire. Several large monastic orders sprang up at this time and quickly expanded, establishing churches all over western Europe. Their churches had to be larger than previous ones in order to accommodate increased numbers of priests and monks and allow access to pilgrims who wished to view the saints’ relics kept in the churches.

Romanesque painting continued to follow essentially Byzantine iconographic models for the most common subjects in churches, but in illuminated manuscripts more originality is seen. The same applied to the capitals of columns, often carved with complete scenes with several figures. In an invention of the period, the tympanums of important church portals were carved with monumental schemes, often again Christ in Majesty or the Last Judgement, but treated with more freedom than painted versions, as there were no equivalent Byzantine models. The large wooden crucifix was a German innovation right at the start of the period, as were free-standing statues of the enthroned Madonna, but the high relief was above all the sculptural mode of the period. Colours tended to be very striking, and mostly primary and stained glass became widely used. Portraiture hardly existed.
Compositions usually had little depth, and needed to be flexible to squeeze themselves into the shapes of historiated initials, column capitals, and church typanums; the tension between a tightly enclosing frame, from which the composition sometimes escapes, is a recurrent theme in Romanesque art. Figures still often varied in size in relation to their importance, and landscape backgrounds, if attempted at all, were closer to abstract decorations than realism.
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Associated subjects: insular art (+), monumental sculpture (+), relics (+), animal motifs (+), political stability (+), liturgy (+), roman architecture (+), roman empire (+), pilgrims (+), byzantium (+), iconoclasm (+), hellenistic art (+), monasticism (+), frescoes (+), pre-romanesque art (+), ottonian (+), middle age (+), anglo-saxon (+), carolingian (+), barbarian (+), polychrome style (+), migration period (+), animal style (+), early medieval art (+), sculptural program (+), constantinople (+), stained-glass windows (+), private devotion (+), illuminated manuscripts (+), nordic tribes that overran the roman empire (+)
Romanesque Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtRomanesque Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
romanesque art... book cover with byzantine icon of the crucifixion, icon carved about 1000, in constantinople; setting made before 1085 spanish; from the convent of santa cruz de la seros, jaca gilded silver on a wood backing,
http://www.metmuseum.org/toah/hd/rmsq/hd_rmsq.htm [1517 words]
Pre-Romanesque artPre-Romanesque art
carolingian illumination of saint mark, early 9th century, from the ebbo gospels pre-romanesque art western european art from either the emergence of the merovingian kingdom in about 500 or from the carolingian renaissance in the late 8th century, to the early 11th century romanesque period.
http://www.kunstbus.com/locate/pre-romanesque+art [457 words]
Early Medieval artEarly Medieval art
the angles and saxons settled in south and east britain, applying many of their jewellery designs and distinctive animal patterns to the ornament of christian manuscripts and metalwork. after the early medieval art continent-wide styles of romanesque art and finally gothic art developed.
http://www.kunstbus.com/locate/early+medieval+art [463 words]
Gothic Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtGothic Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
italian painting of the later middle ages late medieval german sculpture medieval european sculpture for buildings monasticism in medieval christianity relics and reliquaries in medieval christianity romanesque art stained glass in medieval europe ... other thematic essays (30)... the age of saint louis (1226–1270 a.d. ) american revival styles, 1840–1876 animals in medieval art art and death in the middle ages art for the christian liturgy in the middle ages barbarians and romans carolingian art ceramics in the french renaissance classical antiquity in the middle ages courtship and betrothal in the italian renaissance the cult of the virgin mary in the middle ages drawing in the middle ages duncan phyfe (
http://www.metmuseum.org/toah/hd/mgot/hd_mgot.htm [1857 words]
Animals in Medieval Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of ArtAnimals in Medieval Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
eastern europe and scandinavia, 1000–1400 a.d. ... primary thematic essays (6)... the art of the book in the middle ages the face in medieval sculpture gothic art medieval aquamanilia medieval european sculpture for buildings romanesque art ... other thematic essays (27)... ancient greek bronze vessels barbarians and romans birds of the andes the birth and infancy of christ in italian painting byzantine art under islam byzantium (ca.
http://www.metmuseum.org/toah/hd/best/hd_best.htm [1617 words]
Gothic artGothic art
simone martini, miracle of child falling from the balcony, c. 1328 gothic art (1150-16th century) a medieval art movement that developed in france out of romanesque art in the mid-12th century, led by the development of the most important and original art form during the gothic period: gothic architecture. it spread to all of western europe, took over art more completely north of the alps,
http://www.kunstbus.com/locate/gothic+art [561 words]
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