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The Art of the Safavids before 1600
In the early sixteenth century, Iran was united under the rule of the Safavid dynasty (1501–1722), the greatest dynasty to emerge from Iran in the Islamic period. The Safavids descended from a long line of Sufi shaikhs who maintained their headquarters at Ardabil, in northwestern Iran. In their rise to power, they were supported by Turkman tribesmen known as the Qizilbash, or red heads, on account of their distinctive red caps. By 1501, Isma c il Safavi and his Qizilbash warriors wrested control of Azerbaijan from the Aq Quyunlu, and in the same year Isma c il was crowned in Tabriz as the first Safavid shah (r. 1501–24). Upon his accession, Shi c i Islam became the official religion of the new Safavid state, which as yet consisted only of Azerbaijan. But within ten years, all of Iran was brought under Safavid dominion. However, throughout the sixteenth century, two powerful neighbors, the Shaibanids to the east and the Ottomans to the west (both orthodox Sunni states), threatened the Safavid empire.
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Venice's Principal Muslim Trading Partners: the Mamluks, the Ottomans, and the Safavids | Thematic Essay | Heilbrunn Tim ayyubid art in the islamic medieval period fatimid art in the early islamic period golden horde art in the islamic medieval period mamluk art in the later islamic period orientalism in nineteenth–century european art ottoman art in the later islamic period safavid art in the later islamic period venetian school of european renaissance art artist... franco, giacomo (venetian, 1550–1620) tiepolo, giovanni domenico (italian, 1727–1804) vecellio, cesare (venetian, ca. http://www.metmuseum.org/toah/hd/vmos/hd_vmos.htm [2669 words]
The Mantiq al-Tayr of 1487 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art 4 x 5 3/4 in. (19.7 x 14.6 cm) fletcher fund, 1963 (63.210.49) ... the conference of the birds: page from a manuscript of the mantiq al-tayr (the language of the birds) of farid al-din c attar, ca. 1600; safavid iran (isfahan) opaque watercolor, ink, silver, gold on paper 10 x 4 1/2 in. (25.4 x 11.4 cm) fletcher fund, 1963 (63.210.11) ... binding: from a manuscript of the mantiq al-tayr (the language of the birds) of farid al-din c attar, ca. http://www.metmuseum.org/toah/hd/mant/hd_mant.htm [1710 words]
Europe and the Islamic World, 1600–1800 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum o opaque watercolor, and gold on paper 15 5/16 x 10 1/8 in. (38.7 x 25.7 cm) purchase, rogers fund and the kevorkian foundation gift, 1955 (55.121.10.22) ... wall panel, first quarter of 17th century; safavid probably from a garden pavilion in isfahan, iran composite body, 28 square tiles, painted and glazed in cuerda seca technique over white slip, set on plaster panel: 38 x 63 in. (96.5 x 160 cm), tile: 8 7/8 x 8 7/8 in. (22.5 x 22.5 cm) rogers fund, 1903 (03.9a-c) ... http://www.metmuseum.org/toah/hd/erpr/hd_erpr.htm [1355 words]
Nineteenth-Century Iran: Continuity and Revivalism | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolit ... maps (2)... west asia, 1800–1900 a.d. world, 1800–1900 a.d. ... index terms (10)... art movement/style... achaemenid persian empire of the ancient near east qajar art in the later islamic period safavid art in the later islamic period sasanian empire of the ancient near east artist... riza abbasi (iranian, ca. 1565–1635) geography/place... iran islamic world material and technique... calligraphy from west asia painting in watercolor from west asia subject matter/theme... http://www.metmuseum.org/toah/hd/crir/hd_crir.htm [1311 words]
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