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The Art of the Safavids before 1600
In the early sixteenth century, Iran was united under the rule of the Safavid dynasty (1501–1722), the greatest dynasty to emerge from Iran in the Islamic period. The Safavids descended from a long line of Sufi shaikhs who maintained their headquarters at Ardabil, in northwestern Iran. In their rise to power, they were supported by Turkman tribesmen known as the Qizilbash, or red heads, on account of their distinctive red caps. By 1501, Isma c il Safavi and his Qizilbash warriors wrested control of Azerbaijan from the Aq Quyunlu, and in the same year Isma c il was crowned in Tabriz as the first Safavid shah (r. 1501–24). Upon his accession, Shi c i Islam became the official religion of the new Safavid state, which as yet consisted only of Azerbaijan. But within ten years, all of Iran was brought under Safavid dominion. However, throughout the sixteenth century, two powerful neighbors, the Shaibanids to the east and the Ottomans to the west (both orthodox Sunni states), threatened the Safavid empire.
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tahmasp (
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manuscript illustration (
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timurid (
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textiles (
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ottoman army (
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carpets (
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ottomans (
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shah c abbas (
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commercial and diplomatic relations (
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glass (
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clocks (
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safavid (
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ilkhanids (
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mamluks (
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islamic-style bookbindings (
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armor (
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portraits (
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ottoman empire (
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spice (
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ayyubids (
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crusaders (
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fatimids (
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south and southeast asia (
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illustrated books (
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european commercial expansion (
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carpet weaving (
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The Arts of Iran, 1600–1800 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art and lacquered l. 9 1/2 in. (24.1 cm) purchase, patti cadby birch gift, funds from various donors and paul anavian and massoud nader gifts, 2008 (2008.246a,b) ... view slideshow view thumbnails ... the safavids continued to be important patrons of the arts under shah c abbas (r. 1587–1629). among the artists of his time was riza c abbasi (ca. 1565–1635), son of the court painter c ali asghar and pupil of the well-known mu c in. http://www.metmuseum.org/toah/hd/safa_2/hd_safa_2.htm [1653 words]
Venice and the Islamic World, 828–1797 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of 1800 islamic art and culture: the venetian perspective the later ottomans and the impact of europe the nature of islamic art venice's principal muslim trading partners: the mamluks, the ottomans, and the safavids ... other thematic essays (16)... the art of the book in the ilkhanid period the art of the mamluk period (1250–1517) the art of the ottomans after 1600 the art of the ottomans before 1600 the art of the safavids before 1600 the arts of iran, 1600–1800 byzantium (ca. http://www.metmuseum.org/toah/hd/vnis/hd_vnis.htm [1242 words]
The Art of the Ottomans before 1600 | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Ar the art of the mamluk period (1250–1517) the art of the ottomans after 1600 hagia sophia, 532–37 the nature of islamic art ... other thematic essays (19)... the art of the mughals before 1600 a.d. the art of the safavids before 1600 the art of the seljuq period in anatolia (1081–1307) the art of the timurid period (ca. 1370–1507) birth of islam byzantium (ca. 330–1453) commercial exchange, diplomacy, and religious difference between venice and the islamic world the greater ottoman empire,http://www.metmuseum.org/toah/hd/otto1/hd_otto1.htm [1807 words]
The Nature of Islamic Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art the art of the mughals after 1600 a.d. the art of the mughals before 1600 a.d. the art of the nasrid period (1232–1492) the art of the ottomans after 1600 the art of the ottomans before 1600 the art of the safavids before 1600 the art of the seljuq period in anatolia (1081–1307) the art of the seljuqs of iran (ca. 1040–1157) the art of the timurid period (ca. 1370–1507) the art of the umayyad period in spain (http://www.metmuseum.org/toah/hd/orna/hd_orna.htm [2181 words]
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