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School of Paris
From 1900 until about 1940, Paris was a thriving center of artistic activity that provided unparalleled conditions for the exchange of creative ideas. A wave of artists of all nationalities gravitated to the French capital and fostered an inspiring climate of imaginative cross-fertilization. Because of the enormous influx of non-French artists living and working in Paris, a loosely defined affiliation developed referred to as the School of Paris. The international activity associated with this group in Paris was initially concentrated in Montmartre, but subsequently moved to Montparnasse in the early 1910s. Focusing on conventional subjects such as portraiture, figure studies, landscapes, cityscapes, and still lifes, artists of the School of Paris employed a diversity of styles and techniques including the bold, dynamic colors of Fauvism, the revolutionary methods of Cubism, the animated qualities of Expressionism, and the private worlds of Symbolism .
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Tate | Glossary | School of Paris school of paris during the nineteenth century paris, france, became the centre of a powerful national school of painting and sculpture, culminating in the dazzling innovations of impressionism and post-impressionism. http://www.tate.org.uk/collections/glossary/definition.jsp?entryId=264 [251 words]
Guggenheim, Collection Online | School of Paris school of paris; france, ca. 1910 ... during the first decade of the 20th century, numerous painters and sculptors migrated to paris, which had become the international nexus for avant-garde art. http://www.guggenheim.org/new-york/collections/collection-online/show-full/movement/?search=School%20of%20Paris [237 words]
The Adoration of the Shepherds ¦ Andrea Mantegna ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of Art francesco. arthur mayger hind. catalogue of early italian engravings preserved in the department of prints and drawings in the british museum . london, 1910, p. 588, under no. 44, attributes it to mantegna's school, mentioning it in connection with an engraving in the british museum of the madonna kneeling, adoring the infant christ, which he dates about 1480 and calls a work after a mantegnesque design;http://www.metmuseum.org/works_of_art/collection_database/all/the_adoration_of_the_shepherds_andrea_mantegna/objectview. [6273 words]
The Repast of the Lion ¦ Henri Rousseau (le Douanier) ¦ Highlights ¦ European Paintings ¦ Collection Database ¦ Works of 1985, no. 49 (as "le repas du lion"). new york. museum of modern art. "henri rousseau," february 5–june 4, 1985, no. 49 (as "the repast of the lion"). kyoto municipal museum of art. "picasso and the school of paris: paintings from the metropolitan museum of art, new york," september 14–november 24, 2002, no. 7. tokyo. bunkamura museum of art. "picasso and the school of paris: paintings from the metropolitan museum of art, new york," december 7, 2002–march 9, 2003, no. http://www.metmuseum.org/works_of_art/collection_database/all/the_repast_of_the_lion_henri_rousseau_le_douanier/objectvi [1201 words]
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