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Auguste Rodin (1840–1917)
The son of an inspector in the Paris Préfecture de Police and a former seamstress, Auguste Rodin grew up in a working-class district of Paris known as the Mouffetard. His early instruction was provided by the "Petit École" (the École Impériale Spéciale de Dessin et de Mathématiques), a school for the training of decorative artists, where he acquired a thorough grounding in the traditions of French eighteenth-century art, and by informal studies of anatomical structure under the tutelage of Antoine-Louis Barye, the French Romantic sculptor, best known for his animal subjects. Refused entrance to the prestigious École des Beaux-Arts, Rodin escaped the rigid Neoclassical training that still dominated its curriculum in the mid-1850s, but forfeited the early success that École graduates were ordinarily assured.
Auguste Rodin (1840–1917) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art the monument to victor hugo was planned as part of a grand scheme for sculptural monuments commemorating various heroes and philosophers of the french revolution to be placed inside the pantheon in paris along with a funerary monument to victor hugo (1802–1885), the most famous author and poet of nineteenth-century france. a subcommittee was formed in 1889, and after deliberating plans for the sculptural program and making a list of sculptors who would be invited to participate, they awarded the choice commission for the monument to rodin. surviving models made in 1889 or 1890 establish rodin's conception of the work in this period. http://www.metmuseum.org/toah/hd/rodn/hd_rodn.htm [3703 words]
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Medieval European Sculpture for Buildings | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum from whimsical creatures to purely decorative foliate forms. with its rhythmic disposition of columns and piers, the confined space of the monastic cloister offered an ideal opportunity for an extended program of sculptural decoration.... related... cited works of art or images (3)... timelines (7)... central europe (including germany), 500–1000 a.d. central europe (including germany), 1000–1400 a.d. eastern mediterranean,http://www.metmuseum.org/toah/hd/arch/hd_arch.htm [1596 words]
Museum of Natural History - Alfred Waterhouse - Great Buildings Online and an 1864 competition won by francis fowke. the building integrates the romantic and the practical in an eclectic whole: german romanesque stylistic use of dramatic arches and towers, decorated with a rich sculptural program of terra cotta, and a practical use of structural iron and contemporary mechanical systems. the building has a bilaterally symmetrical plan around a central entrance which leads to a cathedral-like hall with grand staircase to second floor galleries. http://www.GreatBuildings.com/buildings/Museum_of_Natural_History.html [619 words]
The Art of Classical Greece (ca. 480–323 B.C.) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan M tarporley painter (greek, active ca. 400–380 b.c.) geography/place... the balkan peninsula material and technique... ceramic from the balkan peninsula ceramic from the italian peninsula gold from europe marble sculptural relief marble sculpture in the round painted ceramic from europe relief sculpture from europe sculpture in the round from the balkan peninsula sculpture in the round from the italian peninsula unglazed ceramic from europe object.http://www.metmuseum.org/toah/hd/tacg/hd_tacg.htm [2126 words]
Contexts for the Display of Statues in Classical Antiquity | Thematic Essay | Heilbrunn Timeline of Art History | The Me the principal types of statue display were divinities enshrined in temples and other images of gods taken as spoils of war from the neighboring communities that rome fought in battle. the latter were exhibited in public spaces alongside commemorative portraits. roman portraiture yielded two major sculptural innovations: "verism" and the portrait bust. both probably had their origins in the funerary practices of the roman nobility, who displayed death masks of their ancestors at home in their atria and paraded them through the city on holidays.http://www.metmuseum.org/toah/hd/disp/hd_disp.htm [2399 words]
MoMA ¦ The Collection ¦ Alberto Giacometti. The Palace at 4 a.m. 1932 the museum of modern art, moma highlights, new york: the museum of modern art, revised 2004, originally published 1999, p. 153 an empty architecture of wood scaffolding, the palace at 4 a.m. undoes conventional ideas of sculptural mass. even early on, giacometti once wrote, he had struggled to describe a "sharpness" that he saw in reality, "a kind of skeleton in space"; human bodies, he added, "were never for me a compact mass but like a transparent construction.http://moma.org/collection/browse_results.php?object_id=80928 [1082 words]
MoMA ¦ The Collection ¦ Pablo Picasso. Three Musicians. Fontainebleau, summer 1921 enjoyed here by picasso in the guise of a harlequin flanked by two figures who may represent poet-friends of the artist: guillaume apollinaire, who had recently died, and max jacob. the patterned flatness of the work is derived from cut-and-pasted paper, and stands in stark contrast to the sculptural monumentality of picasso's three women at the spring , also painted in the summer of 1921. publication excerpt: the museum of modern art, moma highlights, new york: the museum of modern art,http://moma.org/collection/browse_results.php?object_id=78630 [739 words]
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