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Warfare in Ancient Greece
As the economic resources of Greek city-states and individuals increased during the seventh century B.C., armies of foot soldiers were formed within the wealthier city-states. Known as hoplites, these soldiers were characteristically equipped with about seventy pounds of armor, most of which was made of bronze. The typical panoply included an eight- to ten-foot thrusting spear with an iron tip and butt, and bronze armor consisting of a helmet, cuirass (chest armor), greaves (shin guards), and a large shield about thirty inches in diameter. The heavy bronze shield, which was secured on the left arm and hand by a metal band on its inner rim, was the most important part of a hoplite's panoply, as it was his chief defense.
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Arms and Armor in Renaissance Europe | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of A in memory of his mother, julia c. coster, and of his wife, adeline e. post, both of new york city, 1926 (26.145.243) ... view slideshow view thumbnails ... although arms and armor are most commonly associated with warfare, both were used in other contexts, including hunting, tournaments, and as parade costume. ... for warfare, arms and armor must, above all, be practical, affording the utmost protection and functionality without impairing body movement because of excess weight or inflexible material. http://www.metmuseum.org/toah/hd/rarm/hd_rarm.htm [1638 words]
The Transatlantic Slave Trade | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art generally increased the level of fighting by lending military strength to previously marginal polities. a nineteenth-century tobacco pipe ( 1977.462.1 ) from the democratic republic of congo or angola demonstrates the degree to which warfare, the slave trade, and elite arts were intertwined at this time. the pipe itself was the prerogative of wealthy and powerful individuals who could afford expensive imported tobacco, generally by trading slaves,http://www.metmuseum.org/toah/hd/slav/hd_slav.htm [1187 words]
Patronage at the Later Valois Courts (1461–1589) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan berwind, 1953 (53.225.52) ... view slideshow view thumbnails ... the later valois kings, who unified france and strengthened its power after the hundred years' war, frequently engaged in diplomacy and warfare in italy; exposure to italian art gradually formed their taste. this trend began with louis xi (r. 1461–83), who, at his accession, commissioned a medal with his portrait from francesco laurana (died ca. http://www.metmuseum.org/toah/hd/valo_2/hd_valo_2.htm [2520 words]
Horse Armor in Europe | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art technology and manufacture list of rulers of europe list of rulers of the roman empire military music in the european and american tradition the roman republic techniques of decoration on arms and armor tibetan arms and armor ur: the ziggurat warfare in ancient greece ... maps (6)... east asia, 1600–1800 a.d. europe, 1000–1400 a.d. europe, 1400–1600 a.d. world, 1000–1400 a.d. world, 1400–1600 a.d. world, 1600–1800 a.d. ... index terms (34)... http://www.metmuseum.org/toah/hd/hors/hd_hors.htm [3141 words]
Greek Art in the Archaic Period | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art and king midas in the late eighth century b.c. retrospective style in greek and roman sculpture sardis scenes of everyday life in ancient greece the symposium in ancient greece theseus, hero of athens warfare in ancient greece women in classical greece ... maps (2)... europe, 1000 b.c. –1 a.d. world, 1000 b.c. –1 a.d. ... index terms (43)... art movement/style... achaemenid persian empire of the ancient near east archaic period in greek art classical period in greek art cypriot art geometric style in greek art twenty–http://www.metmuseum.org/toah/hd/argk/hd_argk.htm [2390 words]
Patronage at the Early Valois Courts (1328–1461) | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan and roughly corresponds with the hundred years' war with england (1337–1453): philip vi's claim to the crown, contested by edward iii of england, sparked the conflict; the two countries remained in intermittent warfare until 1453, when charles vii regained guyenne and normandy, and definitively drove the english out of france. ... in artistic terms, the period represents the last flowering of gothic art in france:http://www.metmuseum.org/toah/hd/valo_1/hd_valo_1.htm [3084 words]
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